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10 Bad Horror Movies That Really Funny To Watch

by Kaylen Summers

Horror movies are supposed to be good or bad. However, some horror movies exist in a grey area. We know that they are not that good, but we watch them anyway. Here is a list of such guilty-pleaser movies that are really worth watching.

Freddy Got Fingered (2001)

The words "good" or "bad" are not sufficient to describe Freddy Got Fingered, Tom Green's first venture into what we'll loosely call directing. You most likely sat there throughout this movie, mouth open and eyes wide open, with no words to describe what you just saw. This 2001 film features Green's character, Gord, engaging in activities such as stimulating a horse, playing the piano attached to sausages, inhabiting a deer carcass, accusing his father of flogging his brother, and so much more. Although there is a plot, it really doesn't matter much. The scenes are all intensely surreal, and even though they were released 17 years ago, they continue to haunt you like nightmares.

The Happening (2008)

The Happening is M Night Shyamalan's worst film, but it's great because it's trying to be good. It's incredible to think that plants could cause human beings to kill themselves without explanation. Mark Wahlberg's face is constantly confused as if he's trying to figure out what he's doing in this film with us. Zooey Deschanel spends 90 percent of her screen time staring off into the distance. The funniest scene in the movie involves a man who lets a piece of farm equipment run over him. It's not exactly what you'd expect from a horror movie.

The Snowman (2017)

A crudely drawn stick figure snowman dominates the poster for The Snowman, a 2017 thriller based on a Norwegian novel. It just kind of sums up the movie experience. It is hilariously awful. There's a serial killer in the movie who chops up female victims. In the film, Fassbender plays a detective named Harry Hole, which is pronounced exactly like it's written (it's pronounced differently in Norway). It's hard to understand the accents. Hole is a terrible detective, and he should have been able to figure out who the killer is hours before the movie's climax. The film's director, Tomas Alfredson, admits that there wasn't enough time to shoot the entire script, and it is evident as the plot is glaringly incomplete throughout.

Zombeavers (2014)

It is remarkable how many mentions "Zombeavers" garnered in our poll despite the fact that it only came out a few years ago, suggesting that the cinematic appeal of zombie beavers had gone largely untapped. According to the trailers, the movie is about beavers who got exposed to toxic chemicals, turned into zombies, and attacked college students.

Death Bed: The Bed That Eats (1977)

This late-1970s gem was written, produced, and directed by George Barry - and, thankfully, the title revealed everything audiences needed to know. This bizarre movie features a cursed bed that dissolves hands until there is nothing but bare skeletons, but the film only takes a few bites out of an apple and returns the core. No one has discovered any deeper meaning hidden in this 80-minute horror flick in over 40 years. You can give it a try if you want.

The Mangler (1995)

Robert Englund may be a renowned, classically-trained actor and a horror legend. Many remember him as Freddy Kreuger from the "A Nightmare on Elm Street" franchise. However, it is certain that no one is gonna remember him ever playing the role of Bill Gartley in Tobe Hooper's "The Mangler." There are plenty of reasons why. The film is based on Stephen King's short story about a laundry press who craves blood. You may be overanalyzing the situation if you ask how or why multiple people got close enough to be murdered by the machine. The cop on the case is Ted Levine (Buffalo Bill from "The Silence of the Lambs"), but even he cannot figure out why this film is so awful.

Manos: The Hands of Fate (1966)

The film looks more like a small-town stage play that was recorded for personal use and was accidentally leaked worldwide. The story revolves around a family that stumbles upon an underground cult led by the "Master" (Tony Neyman) and Torgo (John Reynolds). Master wears a black flying squirrel poncho with giant red hands that resemble the Wu-Tang hand sign when he raises his arms, which is more often than not. Both the acting and the script are really worse. The only redeeming quality maybe the Master's cute dog who deserved much more screen time.

The Incredibly Strange Creatures Who Stopped Living And Became Mixed-Up Zombies!!? (1964)

This is an incredibly long title for a strange horror musical you probably won't enjoy, right?!. The film was written and directed by Ray Dennis Steckler, a filmmaker whom The New York Times called a "low-budget auteur." Steckler also stars in the film, as Jerry, one of three friends who meet a zombie fortune-teller at a carnival. It doesn't really matter what happens after that because it won't improve the experience.

The Giant Spider Invasion (1975)

1950s giant bug movies were cheesy, but drive-in crowds still enjoyed them. On "The Giant Spider Invasion," director Bill Rebane tried to recapture the magic of that era but somehow failed to tell a coherent story. The people who made giant webs and totally un-scary spiders from Volkswagens deserve some applause. Despite its budget of $300,000, the film reportedly made millions of dollars and contributed to Merrill, Wisconsin's economy- the place where the movie was shot.

Book of Shadows: Blair Witch 2 (2000)

Is it possible to make a successful follow-up to one of the most profitable and influential films of all time? Yes, It's simple. Don't do anything similar to what the filmmakers responsible for "Book of Shadows: Blair Witch 2" did. Just 15 months after "The Blair Witch Project," "Book of Shadows" exists in a universe in which the original fictional movie has become a cult classic. In the film, the main characters visit the woods where it was filmed, and spooky things start to happen. It's a great idea, but it's not executed well. "The Blair Witch Project" sequel contains real footage of Roger Ebert's review, but that did not save the movie from a 2-star rating.

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17 Greatest War Movies of All Time

by Kaylen Summers

There is no hell like war. The violence is brutal and bloody. It destroys lives, countries, and cultures. Our past, present, and future are shaped by it. It is for this reason that filmmakers and moviegoers both continue to be fascinated by it. In its darkest moments, war stories reveal the true nature of humanity. The following are the 20 greatest war movies of all time, including some classics and a few non-traditional picks.

 Inglourious Basterds

Tarantino is one of a kind. As per usual, Tarantino's revisionist view of World War II spits out a lot of gore and blood in "killin' Nazis." An undercover mission by a few Jewish soldiers to deregulate the Nazi government and end the war is the subject of the movie. Meanwhile, a woman seeks revenge against a German officer for the death of her family.


British soldiers, Belgians and Frenchmen attempt to evacuate Dunkirk during the Second World War. The movie from Christopher Nolan is a masterful look at Dunkirk's attack from three distinct perspectives. Plus, Harry Styles makes his acting debut in it.

Black Hawn Down

Scott's entry into war movies was inspired by a book of the same name. The movie tells the story of the U.S. military's 1993 raid in Mogadishu through an ensemble cast led by Josh Hartnett and Ewan McGregor. Nearly 100 US Army Rangers are led by Captain Mike Steele to capture two top lieutenants of a Somali warlord in the capital city of Mogadishu.

Hiroshima Mon Amour

In addition to his contributions to free-wheeling French New Wave films, Alain Resnais is probably best known for Hiroshima mon amour, perhaps his greatest contribution to cinema. French actress and Japanese architect are involved in a tragic and intimate love affair in the movie. World War II and the Hiroshima bombing in 1945 irrevocably changed their lives. Regardless of whether you are a movie fan or not, this one is worth watching-it's more significant than all the war movies on this list.


Take a look at the trailer. The 2019 Best Picture nominee is more about pacifism than the glory of either side of WWI. Designed to look like it was filmed in one continuous shot, after watching it, you surely will feel like you were breathless for nearly 2 hours.

Schindler's List

Schindler's List is perhaps the most grueling and heartbreaking cinematic portrayal of the Holocaust. In this film, a German businessman tries to save more than a thousand Jews by employing them in his factories during World War II.

The Bridge on the River Kwai

In 1957, The Bridge on the River Kwai helped set a precedent for the genre of war films. It was also nominated for an insane number of Academy Awards, winning seven of them. The movie follows Colonel Nicholson who reluctantly agrees to build a railway bridge with the WWII prisoners. However, it eventually becomes an obsession for him.

Apocalypse Now

Staring great actors like Marlon Brando, Robert Duvall, and Martin Sheen, Francis Ford Coppola's 1979 classic is one epic anti-war film that you don't want to miss. The film has gained the status of being the best war epic of all time by not just giving us some of the best performances and visuals, but as for showcasing the pointlessness of the Vietnam War.

The Thin Red Line

The Thin Red Line stars Sean Penn, Adrien Brody, Jim Caviezel, George Clooney, and a laundry list of other giant names. This Terrence Malick film is a brilliantly crafted look into World War II. Many critics have often stated it as the greatest modern war epic in world cinema.

The Deer Hunter

Filmed by Michael Cimino, it examines the Vietnam War. The film takes place in a working-class Pennsylvania town and examines the physical and psychological effects war has on the boys who never return home or never return home whole.


Ran is a war film unlike any other. Shakespeare's King Lear is a bit of the inspiration for this epic from 1985.  It tells the story of three loyal sons who abdicate their father, Hidetora Ichimonji.


Here is another war movie about Vietnam. Charlie Sheen and Willem Dafoe star in this raw and devastating portrayal of war. The screenplay was written by Oliver Stone based on his experiences in Vietnam, and the effects are both moving and disturbing.


A favorite of war movie buffs, this biographical film is about General George S. Patton. A mercurial man, George Patton commands the II Corps in North Africa after the defeat of the US at the Battle of Kasserine Pass in 1943. Despite his military expertise, he is a loose cannon. The film won seven Academy Awards, including Best Picture and Best Director.

Paths of Glory

Paths of Glory is actually a bit of an anti-war movie. One of the finest entries into the genre, it serves as a model for how to make a cinematic portrayal of war. The film is directed by Stanley Kurbrick. A French general decides to take on an impossible mission to capture a German post. However, he insults his men when they back out of the mission.

Letters from Iwo Jima

One of Clint Eastwood's most celebrated war movies is his 2006 Japanese-language film. Combining Spielberg's production, Eastwood's directing, and Yamashita's screenplay yields gave us one of the most brilliant movies ever. With its careful portrayal of the good and the bad on both sides of the Second World War, it successfully tackles the complexities of good and evil.


Mel Gibson stars in Gallipoli, an Australian film about World War I. When two sprinters from Australia are sent to fight in World War I, they are confronted with the brutal realities of war.As one of the greatest war epics of all time, the film was acclaimed by critics, swept all Australian film awards, and remains one of the biggest box office successes.

Full Metal Jacket

Matthew Modine, R. Lee Ermey, Vincent D'Onofrio, and Adam Baldwin star in this Stanley Kubrick's 1987 war film. As one of the best films set during the Vietnam War, Full Metal Jacket will take you into the trenches. The ruthless command of Hartman causes mental breakdowns in a few recruits. As the soldiers cope with the wrath of war, they must deal with a bizarre event.

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16 Best Alien Movies Of All time

by Kaylen Summers

We love watching aliens on the big screen. It is one of our most evident movie fetishes. So we have created a list of movies that you can use to watch and enjoy some of the best Alien movies of all time. Let's start:

Close Encounters of the Third Kind (1977)

Steven Spielberg's Close Encounters of the Third Kind is one of his movies that doesn't get as much attention as some of his others. Nevertheless, this is an all-time classic of the Alien genre, and for good reason (not the least of which is that the aliens aren't evil). Even Sci-fi legend Ray Bradbury once said that Close Encounters was the best film ever made.

Alien (1979)

Alien is one of Ridley Scott's undisputed masterpieces of the genre, and it cemented Scott among the greats. The film definitely leans towards the horror end, and Sigourney Weaver's character, Ripley, could probably be called a scream queen (though she also kicks some ass). There are not many thrillers that are as tension-filled and unsettling, and with Scott behind the camera, an artistic craftsmanship is also added to the movie.

Cloverfield (2008)

The Cloverfield trailer is a must-see if you've never seen it. In spite of the absence of a title, that short trailer tipped off one of the most original alien/monster films of the last couple of decades. With a runtime of less than 90 minutes, it is surprising to see such a movie to become a piece of genius. The film is J.J Abrams at his mysterious best  with Matt Reeves behind the camera as well.

Signs (2002)

Despite its vast scope and story, Signs is M. Night Shyamalan at the peak of his powers (after The Sixth Sense and Unbreakable) and a worthy follow-up to The Sixth Sense. As the title suggests, a family finds crop circles on their farm that indicate extraterrestrial activity is taking place. Who else wants to see the Alien Mystery from M. Night Shyamalan?!

Starman (1984)

The first of a handful of John Carpenter entries on this list, Starman finds a fairly young Jeff Bridges (who got one of his many Oscar nominations) in an alien movie unlike most others on this list. The plot of the movie has an alien taking the form of Bridges, going by the name of Scott, and eventually falling in real human love.

The World's End (2013)

The World's End is the third film in Edgar Wright's trilogy of extremely fun, action-packed comedies (also including Shaun of the Dead and Hot Fuzz). This film tells the story of a group of friends going on a bar crawl for their reunion…and an alien arrives and puts the whole thing to the test. It's sci-fi/comedy at its finest.

Under The Skin (2014)

A24's surreal and strange alien film stars Scarlett Johansson as a mysterious woman who seduces men and lures them into her van. The victims are never to be seen again. Though it is one of the strangest movies in the list, ScarJo gives one of the best performances of her career in the movie.

The Thing (1982)

Another Carpenter movie! The Thing is one of the creepiest films on this list. The movie follows a team of researchers in Antarctica (led by Kurt Russell) as they discover an alien in the snow. Despite being released the same summer as E.T., we can say with certainty that this shape-shifting alien is nowhere near as good as Spielberg's.

E.T. (1982)

E.T., which is another classic from the genre, that gets quite a lot of attention from fans of Spielberg and alien movies. Movie is a masterpiece and redefined the genre entirely. It is a unique success and one hard to copy. You've probably heard the lines from this movie somewhere between three and 23 times. But still there is not harm in watching this movie one more time. It is that good.

Starship Troopers (1997)

After the original 1997 Starship Troopers, there have been dozens of straight-to-video spinoffs and sequels.However, we will not discuss those. Instead, let's focus on the original which was perfectly on tone with Paul Verhoeven's other movies (Robocop, Total Recall). Featured on this list because of its over the top campiness and lack of take-it-seriously attitude, this '90s classic pits humans against bloodthirsty alien bugs.

Independence Day (1996)

'Independence Day' is one of the all-time great movies. With Will Smith in the lead role, it had a legendary Bill Pullman performance as the President of the United States, and a flying saucer that blew up the White House, adding to this movie's Man vs. Alien invasion appeal. What more do you want from a tentpole alien movie?!!

Pitch Black (2000)

With two sequels—Chronicles of Riddick and Riddick—and many calls for a fourth, Pitch Black has become a cult classic. But the original is a sci-fi epic about vicious creatures living underground and incapable of surviving sunlight. Occasionally, however, the entire planet is engulfed in an eclipse. Although Vin Diesel's character is not the main character, his performance in the film made him so popular that two more movies in the series focused entirely on him.

District 9 (2009)

Among 2009's sleeper hits, District 9 was a big success. The movie is about peaceful aliens called prawns, who are treated like second-class citizens in Johannesburg. Eventually (with the help of a human who was basically forced to be on their side), they begin to fight back. A breakout performance from Sharlto Copely and the director Neil Blomkamp give this movie a special quality.

They Live (1988)

One of the more entertaining alien/horror movies on this list is John Carpenter's They Live, which serves as a satire of Reagan-era yuppies. At first glance, the aliens in this movie don't look like aliens. Then one guy gets a pair of glasses that exposes people for what they really are. The movie is fun, wild action, and a good time all around.

Pacific Rim (2013)

There aren't too many alien movies as cool as Pacific Rim. In this alternate reality, giant extraterrestrial creatures resembling Godzilla named Kaiju attack the cities causing havoc until humans take back control, manning giant robotic monsters called Jaegers. Directed by Guillermo Del Toro, the movie is basically like the Power Rangers episode ending, but made into an extremely cool movie. Hunnam, Elba, and Day are the stars of this film.

Men In Black (1997)

Here's another obvious one. This film is absolutely perfect due to the chemistry of its two leads, as the charismatic Will Smith and the stoic Tommy Lee Jones complement each other perfectly. The fake government agency investigating the extraterrestrials is both otherworldly and canon in the culture. Everybody alive would know what you're talking about if you mentioned "Men In Black." Although the sequels and last year's spin-off are fine, the first one is just a classic.

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11 Greatest Animated Movies Of All Time

by Kaylen Summers

Animation movies has been a great vessel for story-telling for many ages. These movie have taken us to magical worlds that we could never imagine, helped us think about concepts, made us feel emotions that we wanted to feel. The long history of animation as a movie genre has given us many brilliant and memorable works. Here are a few of the greatest works that er think you should definitely watch.

Coraline (2009)

There are unsettling moments in The Nightmare Before Christmas. But Henry Selick's adaptation of Neil Gaiman's story is downright creepy. The title character of the movie grew up frustrated by her inattentive parents, which led her into a world where everyone she knew had been replaced by a cheerier, but hollow duplicate. A hard black button replaced their living eyes. It would be straight-up horror in another medium. But Selick's stop-motion, as well as his canny use of 3D, allows us to watch from a distance without having that much of scares.

Grave of the Fireflies (1988)

Hayao Miyazaki is often associated with Japan's hugely influential animation studio Studio Ghibli. But his partner Isao Takahata is also a formidable filmmaker, never more so than in this devastating World War II drama, in which a brother and sister must survive after their town is destroyed by American planes. Despite its focus on children, Grave of the Fireflies is a profoundly mature tale of war and loss, set against a backdrop of despair and anger. Did the latest Pixar movie make you cry? You will lose your heart and soul to this one.

Fantastic Planet (1973)

Beautiful and horrifyingly violent, this psychedelic allegory from French animator René Laloux has inspired musicians like Flying Lotus to hip-hop producers like Madlib. Its freaky art design and distinctive paper-cutout animation style still impress viewers today, while Alain Goraguer's unsettling score creates an unsettling tone rarely heard on a soundtrack. Traags, towering azure-skinned aliens, keep humans as pets and abuse them indifferently, so the subtext isn't too subtle. Its inventive aesthetics alone qualify it for inclusion on lists of all-time films.

The Secret of NIMH (1982)

After quitting his job at Disney during the late 1970s due to its sputtering creative drive, Don Bluth made his feature directorial debut with this fable about a widowed mouse who is forced to move her family's home before a farmer destroys it. Her quest leads her to discover what happened to her husband, who was involved in insidious government experiments on rats. Adapted from Robert C. O'Brien's book, The Secret of NIMH, weaves a commentary on animal experimentation and a salute to single mothers into a smart, gripping action-adventure thriller, becoming a touchstone for sensitive Eighties kids.

Up (2009)

This tale of an unlikely friendship between a little boy and an old man (complete with balloons, talking dogs, and a zeppelin fight) is a bit of magical realism that suits the subject matter of never being too old to enjoy an adventure. Up garnered a Best Picture nomination and became the first animated film to open the prestigious Cannes Film Festival, and with its eye-catching animation and unexpected emotional resonance, it's no surprise.

Howl’s Moving Castle (2004)

This antiwar tale, loosely based on a novel by British author Diana Wynne Jones, is brilliantly crafted by Japanese master Hayao Miyazaki. It features a one-of-a-kind set piece: a steampunk castle powered by a wily fire demon lorded over by a bellicose wizard. The film filters Old World aesthetics through an Eastern lens to create a visually stunning love story that is also an indictment of the human and environmental toll of war. Peter Docter, Pixar's English dub supervisor, enlisted the likes of Lauren Bacall, Christian Bale, Emily Mortimer and Billy Crystal.

The Triplets of Belleville (2003)

With a bent toward Jazz Age stage shows and silent comedy, France's Sylvain Chomet set up an old-timey caper involving American gangsters, Tour de France cyclists, and the titular trio of weird out sisters to expose a crime ring. It's got catchy tunes and wry physical humor to spare, but its most charming quirk lies in laying out moving parts - a makeshift treadmill, a daily routine, a song - and watching them go. 

Fritz the Cat (1972)

The screen adaptation of Robert Crumb's creation - a hip cat that loves getting high and cajoling girls into group sex - served as the ultimate statement on the bitter, biting satire of underground comics. This features an anthropomorphic look at Amerika during the Nixon era (although Bakshi, the artist, nodded his head in approval—he killed Fritz off with an icepick in the books). This midnight-movie staple targets everyone from simpering progressives to social fatcats (represented as literal fat cats). It's equal parts nihilism and let it all hang out hedonism.

The Adventures of Prince Achmed (1926)

Over ninety years after its original release, Lotte Reininger's otherworldly fable still captivates with its rapturous fluidity. Its images were created with intricate paper cut-outs, but they seem to flow like water, pure magic created with the simplest of tools. When you consider that Reininger and her collaborators were working without a map, the accomplishments of Prince Achmed are even more incredible. For three years they broke no rules, and went wherever their imaginations and experiments took them, producing one of animation's first feature films, and still one of its best.

Yellow Submarine (1968)

A late-Sixties Beatles odyssey in which John, Paul, Ringo and George must save an underwater utopia from fun-killing Blue Meanies is synonymous with the "turn off your mind, relax and float downstream" vibe. The Fab Four might not have provided their own voices, but George Dunning's hallucinatory animation and some of their most trippiest music nevertheless make for a memorable Pop-Art ride. The popularity of Yellow Submarine demonstrated to the mainstream that there are more ways than Disney to pull off a feature-length cartoon.

Toy Story (1995)

The debut film of Pixar was full of promise, already possessing a sense of humor, themes, and a distinctive style that would make it a benchmark of modern animated films. The company's then-revolutionary team created a cast of lovable toys that feel like old friends with every additional viewing. The comedy duo of Woody and Buzz Lightyear (Tom Hanks and Tim Allen) still tugs at our hearts, and Randy Newman's "You Got A Friend in Me" never fails to make us smile.

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Forgotten Fantasy Movies That Are Too Awesome

by Kaylen Summers

Fantasy movies are one genre of cinema in which it is really heard to get people's attention. While major works from famous studios make it to audiences worldwide, there are many great fantasy movies that are forgotten. Here are some of these awesome movies that are worth revisiting.


Blade Runner's commercial failure baffled Rutger Hauer, who played renegade replicant leader Roy Batty in the 1982 film. In addition, Hauer was typecast as a villain after his role in Ridley Scott's seminal sci-fi film, which is why Richard Donner didn't want him to play the hero in Ladyhawke, the beautifully shot and criminally overlooked fantasy film. In 1985, Donner told the now defunct Starlog Magazine that he always considered Rutger a heavy son of a b****. Heuer was proud of his role as Etienne Navarre, a haunted knight cursed by a jealous bishop. Narrare transforms into a wolf at night, while his true love, Isabeau of Anjou (Michelle Pfeiffer), becomes a hawk by day, keeping them apart, but always together. A young pickpocket (Matthew Broderick) joins the trio as they set off to defeat the bishop and lift the dreadful curse.


There's a lot of Lord of the Rings in John Boorman's Excalibur, which is what the director intended. At the time, Borman's superbly shot Arthurian fantasy was well-received, but when it comes to King Arthur, people tend to talk more about Monty Python and the Holy Grail. Six years earlier, the beloved Monty Python comedy couldn't be more different from Excalibur. Borman's film is frighteningly violent and deadly serious, embracing some of King Arthur's more uncomfortable elements. The movie follows Arthurian legend so closely that the end result was simply too dense for some; however, fantasy fans ought to check it out. Arthur is played by Nigel Terry, and Nicol Williamson's Merlin steals every scene he appears in. The film also featured a very young Gabriel Byrne and Liam Neeson, and it introduced Helen Mirren and Patrick Stewart to American audiences. Additionally, cinematographer Alex Thomson was nominated for an Oscar for his work on the movie.

Zathura: A Space Adventure

While Jumanji: Welcome to the Jungle was a successful follow-up to the '90s hit, people aren't aware that it is not the first sequel. Over a decade after the Robin Williams-led original made over $260 million at the box office, Jon Favreau directed a standalone spinoff called Zathura: A Space Adventure, starring future YA stars Josh Hutcherson and Kristen Stewart. It revolves around three siblings who turn to an astronaut (Dax Shepard) for help after their house is transported into outer space by the titular board game. Zathura bombed and was written off as a failure, but the figures only tell half the story. Somebody at Columbia thought it would be a good idea to release Favreau's family fantasy on the same day as Harry Potter and the Goblet of Fire, which drew huge crowds and left Zathura with an uphill battle. The critical response has never matched the receipts of this forgotten fantasy gem.


The work of Terry Gilliam cannot be ignored when discussing fantasy films. Before he became a visionary director with films like Time Bandits, Brazil, Twelve Monkeys, and Fear and Loathing in Las Vegas, he made a film loosely based on Lewis Carroll's Jabberwocky. Michael Palin plays Dennis, a hapless cooper who gets sent on a quest to kill the titular creature against his will after being mistaken for a hero in Gilliam's film of the same name. Gilliam wanted to distance this film from his previous work, but the execs wouldn't budge. He was reportedly furious when the movie was marketed as Monty Python's Jabberwocky in the States, but he was vindicated when it did better in countries where Monty Python remained largely unknown. Even with such a limited budget, it looks great. It was revealed later that Gilliam used the decaying set of Oliver! to save money.

Laputa: Castle in the Sky

In spite of Hayao Miyazaki's reputation among fantasy fans worldwide, his early films have been underappreciated in the West. If you're only going to watch one fantasy gem from Miyazaki's back catalog, it should be 1986's Laputa: Castle in the Sky, the first Ghibli film. The story follows a boy named Pazu (voiced by James Van Der Beek in the English dub) who befriends a magical girl named Sheeta (Anna Paquin), a descendant of Laputan royalty. Sheeta's amulet is the key to finding the lost floating city of Laputa, which is why the shady Colonel Muska (Mark Hamill) is chasing them. The music for Laputa: Castle in the Sky is composed by Miyazaki's go-to composer, Joe Hisaishi, and the animation is stunning at times. Miyazaki came up with the steampunk setting after visiting Wales during a miner strike.

Seventh Son

Seventh Son gets a second chance to shine in 2020, despite its Rotten Tomatoes rating of just 12 percent. Jeff Bridges plays monster hunter Master Gregory in this film based on Joseph Delaney's novel The Spook's Apprentice. The escaped witch Mother Malkin (Julianne Moore) kills Gregory's apprentice (an almost-clean-shaven Kit Harington), so Gregory begins looking for a replacement. Fortunately, he finds one in Tom Ward (Ben Barnes), who must learn the tricks of the trade quickly to avoid going the same way as the last apprentice. It's hardly a groundbreaking setup, so how did Seventh Son succeed? To everyone's surprise, Sergei Bodrov's film made Netflix's top ten most-viewed movies list in August 2020. It gained attention again because it's a reunion for The Big Lebowski co-stars Bridges and Moore, while others say it had to do with people streaming more during the Coronavirus pandemic. Seventh Son is enjoying rising popularity among new viewers because if you turn up not expecting too much, you might just find yourself enjoying it.

Solomon Kane

Solomon Kane, a forgotten fantasy film that has found a new audience thanks to Netflix, is a unapologetic genre film. After encountering a demon, eponymous character (created by Robert E. Howard, author of Conan the Barbarian and Red Sonja) denounces his wicked ways and recommits to pacifism. When Kane (James Purefoy) falls in with a family of Puritans on their journey to the New World, but a member is kidnapped and the rest are slaughtered, he comes out of retirement to avenge them. The film was supposed to start a trilogy, but it still works as a standalone film. Fans of the source material have praised the director, but what makes Solomon Kane worth reconsidering is the leading man's performance. Known for his roles in Altered Carbon and Sex Education on Netflix, James Purefoy is excellent as the Puritan Avenger, underplaying Kane's inner turmoil to great effect. After Bassett approached him about the film, he delved into the character's history, and he was instantly intrigued. 

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Feel-Good Movies That Will Make You Happy

by Kaylen Summers

Sometimes life can seem pretty grim and hopeless. Here are some movies that will make you feel better about life.

The Shawshank Redemption

The Shawshank Redemption is a masterclass in cinema's unparalleled ability to provide a satisfying payoff after two hours of emotional agony. The story is adapted from a Stephen King novella and follows Andy Dufresne (Tim Robbins), an innocent man who is convicted of a heinous crime, which lands him in Shawshank State Penitentiary. Dufresne suffers abuses of all kinds in this prison; some from authority figures, such as the warden, others from his fellow inmates. Despite his suffering, Dufresne never loses the will to fight, despite the pain. Andy fights for what he believes in, including his fellow inmates' human rights, their right to education, and his own right to freedom, during all of his trials. This unshakeable determination and willpower enabled Dufresne to devise a long-con plan to break out of jail and eventually escape to freedom. The rewards of life are seen in this success. We are reminded that whatever demons we face today could be dwarfed by our chances of achieving our goals one day in the future, and the more we struggle now, the more we'll be rewarded in the future.

Groundhog Day

It can be devastating to make the same mistakes time and again. Groundhog Day explores that feeling of monotonous failure in an entirely feel-good way. The film follows weatherman Phil Connors (Bill Murray) as he relives the titular day over and over again. There are many emotions and arcs depicted in the story that accompanies someone trapped in a never-ending cycle of daily disappointment: frustration, boredom, agony, and finally depression. In Groundhog Day, Phil tries to commit suicide a number of times due to the frustration of reliving the same frustrating day over and over again. Ultimately, Phil realizes that he can't run from his problems, so he decides to face them instead. As he stops focusing on his problems, he begins improving himself. He finds true love, acquires a wealth of new skills, inspires those around him, and breaks the curse - all because he didn't let life's cyclical hopelessness keep him down. It's a great movie to laugh at and learn from if you're stuck in a rut.

The Sound of Music

It is truly inspiring to see an incompetent nun become an incredible nanny and stepmother in The Sound of Music. Maria, the film's protagonist, leaves the convent to become Captain von Trapp's nanny in 1938 Austria. As her bond with the family deepens, she discovers her ability to positively impact not only the lives of von Trapp's children but also the emotionally distant Captain. Maria realizes she does not need to confirm - she can be herself and shape those around her into better people. The film's central message is this: you don't have to change the world around you, you can change the world by changing yourself. Maria embodies these qualities in the movie, which leads to the von Trapp family becoming more loving, empathetic, and joyful. The Sound of Music is a great watch for whenever you need something to make you feel better about life and remind you that life has a purpose for you, exactly as you are.


The movie Up is designed to combat insular, self-absorbed depression. Carl suffers from this disease at the beginning of the movie. Carl, who lost the love of his life before he could afford to go on an adventure together, resigns himself to a sad existence as an angry old hermit. This changes, however, when a young boy scout and a million balloons become attached to Carl's home, turning it into a makeshift airship with an uninvited occupant. A trip into the skies results in Carl and the boy floating off on an impromptu adventure that teaches both of them a valuable lesson about living life to the fullest. Up may not be Pixar's greatest or deepest work, but its first ten minutes have some of the most heartbreaking moments in film history and may cause you to pause the movie and call your loved ones just to tell them how much you care. Watch that part of the movie if you need a reminder about life's meaning, then watch the rest to get a renewed sense of excitement for life's endless possibilities, and maybe even get inspired to plan a surprise journey.


Cancer is a serious subject, regardless of context, as it negatively affects everyone it touches. The movie explores that negative stigma and applies a humorous, upbeat slant to a consistently dour subject - and it succeeds, mostly. Cancer isn't so much the villain as it is the catalyst for main character Adam Lerner (Joseph Gordon Levitt) to gain some self-respect and get his life in order. Thus, 50/50 is less a drama about Adam's illness than it is a story about taking charge of one's life and using every obstacle as a stepping stone to a better tomorrow. Adam learns that his girlfriend has been cheating on him shortly after being diagnosed with cancer. If cancer had not threatened to take his life at any moment, he might have tolerated it. Thanks to his condition, he realizes the value of every moment, realizes he can't waste them with bad company, and promptly breaks up with her. The moral of 50/50 is: adversity isn't a roadblock, it's an opportunity to reflect and grow. Life only gets better as you overcome obstacles.


If you want to turn a frown upside down, there's nothing quite as effective as a wholesome, family-friendly adventure story about a marmalade-obsessed anthropomorphic bear. In this sense, Paddington does everything to brighten the mood and encourage optimism: it demonstrates a loving family that looks after Paddington and is willing to help him no matter what, it teaches valuable lessons in trust, and it shows how kindness can make a difference. In the movie, Paddington has to become a member of English society, earn a place within his adopted family, and evade a deranged taxidermist. The fact that Paddington is kind almost knocks out the first two birds (though that's not something he'd ever do). As for the taxidermist, Paddington's new family does everything in their power to get him out of harm's way, using every resource at their disposal. Despite life's challenges, as long as we keep our heads up and maintain a loving heart, no challenge is insurmountable. In addition, Paddington reminds us to ask for help when we need it - after all, life is a lot more fun and manageable with loved ones by our side.

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10 Greatest Romantic Comedies Of All Time

by Kaylen Summers

We all love to see two different people from different worlds finding each other randomly and overcoming all odds to fall in love to live happily ever after. Rom-com have been selling us this idea for ages and we still love watching them. Here are some of the greatest romantic comedies of all time that you will surely enjoy watching.

Pretty Woman (1990)

The rosy patina on sex work and the stink of white male privilege cannot be undone, but Julia Roberts' breakthrough performance remains undeniably stunning. It would be a big mistake (huge!) to dismiss the then-21-year-old actress as just a cog in an anti-feminist fairy tale based on her exuberance and vulnerability. Garry Marshall clearly saw Roberts' Vivian as the real Prince Charming here: The weary tycoon is constantly reminding his special lady friend to stop fidgeting while she is constantly reminding him that money cannot buy everything. We are rooting for their connection to outlast six days, a lousy $3,000, and that spoony Roxette song.

Tootsie (1982)

An unemployable New York actor, Michael Dorsey, is played by infamous perfectionist Dustin Hoffman. As a result of desperation, he dresses up as a woman to land a job on a soap opera, which is complicated when he falls for Julie (Jessica Lange) and has to maintain the ruse. With an ensemble cast that includes director Sydney Pollack (as an exasperated agent), Teri Garr, and Bill Murray, it's a very grownup romance about gender roles in 1982 and letting your guard down.

Punch-Drunk Love (2002)

Paul Thomas Anderson decides to make ... an Adam Sandler comedy. Perhaps you thought the end result would be an unholy cross between Billy Madison and Boogie Nights. What you got instead was one of the sweetest, most romantic (and rage-filled) movies either man has ever made. Sandler, a plunger salesman, stalks around in a blue suit, causing his sisters annoyance. However, he finds a woman (Emily Watson) who recognizes his childlike sweetness. He's an eccentric with anger management issues and an obsession with a pudding promotion, while she's a wallflower who's frightened of him. Yet Punch-Drunk Love not only finds humor in this match, it also puts them on their own love-struck wavelength.

Enough Said (2013)

Could Tony Soprano make a good romantic lead? Nicole Holofcener transformed James Gandolfini into a different character with her deeply moving film, which stars Julia Louis-Dreyfus as a massage therapist who finds out her new client (Catherine Keener) is him. Her soft touch lets even the spikiest material feel lived-in and comfortable, and Enough Said might be her coziest film yet. It's not very often that we get a rom-com starring middle-aged characters, and Holofcener captures the soft side of Gandolfini in this really sweet film. 

Jerry Maguire (1996)

This is a story of a down-on-his-luck sports agent (Tom Cruise) desperately clinging to the only loyal people in his life - his client (Cuba Gooding Jr.) and employee/love interest (Renée Zellweger). Cameron Crowe once again plumbs the depths of the human psyche for all its damage and worth. Jerry, a big shot with a sudden case of conscience, treats everyone else as an extra. He's needy, opportunistic ... and everything human. And then there's the Speech - you know, "you complete me.". It's a classic rom-com Hail-Mary soliloquy. To be honest, everybody - including Regina King, who was then underappreciated - had us at hello.

Four Weddings and a Funeral (1994)

Is the modern romantic comedy even possible without Hugh Grant? Four Weddings and a Funeral redefined the "charming British suitor" type, replacing the old-fashioned suave sophistication with humanity. With a little help from their star, screenwriter Richard Curtis and director Mike Newell produced a surprise box-office hit featuring a group of well-to-do, thirtysomething English Folk facing the seriousness of life. As Grant's stammering nice guy weighs his many romantic options, should he choose Andie MacDowell or Kristin Scott Thomas? Before the final credits, was there any doubt as to who he would choose? - his quest for love doubles as the tale of an overgrown schoolboy growing up.

Working Girl (1988)

Melanie Griffith has never been better than in Mike Nichols' "fake it 'til you make it" tale about Staten Island secretary Tess McGill. Her snooty boss, Katharine (Sigourney Weaver), steals her big idea, then breaks her leg skiing. It captures the culture of Eighties Wall Street in exacting detail, from secretaries commuting in sneakers to debauched office behavior. A genuinely sexy film that only gets sexier as Tess puts on an air of cool confidence to pursue the career and the man she deserves - Harrison Ford in his prime as big-shot mergers-and-acquisitions exec Jack.

Something Wild (1986)

When a square guy meets a free-spirited girl, it's always a rom-com home run, right? In this Jonathan Demme film, Jeff Daniels' uptight banker meets Melanie Griffith's exotic rebel after trying a dine-and-dash. Her dream bohemian not only recognizes a guy who's ready to unwind, but also convinces him to play the role of a respectable type at her high-school reunion. Their road trip gets considerably crazier when her psychotic ex-boyfriend (Ray Liotta) shows up. Despite the film's darker turns, the chemistry between Daniels and Griffith keeps things going. We wish Demme and his duo made more films together.

The Princess Bride (1987)

The Princess Bride is a favorite shorthand for heart-fluttering romance among Eighties kids. Rob Reiner created a masterpiece that has it all: high fantasy, wry comedy, kick-ass swordfights, clever political commentary, and, of course, sigh-inducing true love.  Our hearts are pumping for our desperate lovers, Buttercup (Robin Wright) and pirate Westley (Cary Elwes) as they walk from the Cliffs of Insanity to the Fire Swamp, and we smile at the knowingly silly details of the story. The kissing parts of this story are most certainly not gross like those of the ailing grandson (Fred Savage) in the framing story.

Annie Hall (1977)

Due to the dark cloud hovering over the writer-director-star, it's hard now to fully appreciate what is so poignant, hilarious, hip and thoughtful about this unlikely Best Picture-winner that radically modernized the romantic comedy. A neurotic comic (Allen) and an aspiring singer (Diane Keaton) fall in love, fall out of love, drift apart, realize that their passion will eventually dissolve into an enduring, distant fondness (if they're lucky). A unique portrayal of attraction, Annie Hall is carried by Keaton's flawless performance as a budding artist who eventually discovers that her self-esteem does not depend on the approval of an insecure man.

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Shutter Island: Was The Ending Already Revealed From The Beginning?!

by Kaylen Summers

Martin Scorsese has given us so many movies great movies in the past and is still continuing to do so. One of his most memorable hits is the psychological thriller Shutter Island. With Leonardo DiCaprio, in the lead role, the movie takes us to a island where a suspicious mental health institution is treating their patients using mysterious methods.

Here is the trailer of the movie:


The main character of the movie is Teddy Daniels and Chuck Aule. Both are US Marshals who arrive at the asylum on a remote island to investigate the disappearance of a patients. Most of the patient in the facility are criminals who are diagnosed with strong and violent mental health issue. Since one of such patient is missing, it makes the stakes higher for the investigating officers.

Teddy believes that institution and the governing psychiatrist has something to do with the disappearance. As his investigation progress, he soon uncovers more and more shocking evidences to support his suspicions. Unfortunately, the price he has to pay for these evidences is his own mental breakdown.

Towards the end of the movie comes the most dramatic reveals that Teddy himself is a patient in the asylum. The whole investigation is was just his mind playing with him.

The movie is iconic so many reason and one particular one is the big reveal at the end of the movie. However, what makes this movie a cult classic, is the director's craftsmanship including so many clues about the ending straight from the beginning of the movie.

Here are a few examples:

No Luggage

The fear of water and meeting the partner only during ferry ride are all clues that connect with the ending twist. Surprisingly, the even more obvious detail is the two Marshals does not bring any luggage even though they knew that they will be staying in the remote island for quite some time. The only possible answer for this is that their luggage are already there at the institution, as one of them is the patient and the other is the doctor.

Nurses are not interested in the interrogation

While being interrogated, the nurses seem to behave bored and less intimidated. The reason for this could be that they already know that Teddy is a patient and they are just participating the whole exercise because their doctors want them too. Hey!! They are just nurses. Not trained actors.

Hallucinations and frequent headaches

Teddy suffers from frequent headaches and hallucinations. The rate of these episodes increases through the course movie and becomes violent and uncontrollable towards the end. This is mainly because he is undergoing major pharmaceutical withdrawal. Without his usual medicines, his hallucinations are returning back to him and as time progresses they are creating some violent episodes.

Scorsese had excelled himself once again with the creation of this modern masterpiece. Feel free to watch the movie again and you will surely find even more hidden details and hints. Makes sure to leave them in the comments below and we will surely update the article with them.

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10 Best Forgotten Classics of All Time

by Kaylen Summers

Films offer great insights into the world and our own selves. Classic films remain timeless because they truly open viewers into new horizons of thought and aesthetics. Here are some forgotten gems that will transport you into different worlds with their beauty and brilliance:

Under The Skin This is a visceral and moving exploration of grief about a young woman whose mother's death prompts a breakdown of sorts. With every element of the film, performance to the visuals as well as the soundtrack, the filmmaker elevates the story into a very intense experience. This is a classic that is grossly underrated and quite forgotten.

The Front Page This is a milestone work in every sense with its fast, wise-cracking dialogue and rapid editing. This is the story of the newspaper industry focusing on a suave, double-crossing editor and his star reporter. The film is an engaging take on the workings of journalism and news. It is more than worth a watch for its making and theme.

Ace In The Hole This is a cynical film about mass hysteria and the yellow press with stunning performances. It focuses on an unscrupulous journalist exploiting a local tragedy to get back into the big league. The film dives deep into the nuances of how people consume news, and how reporters work around news items to create impact. This is a true gem of a classic film that is criminally underrated.

The Beaver Trilogy This is an experimental film set in Beaver, Utah, in the 1980s. It is the story of a man who has a penchant for impersonating famous personalities. The story is unconventional and twisted in its own ways. It is one of those films that will take you along with it and then get deep under your skin with each scene and setting. This is a forgotten classic that deserves more attention that it has received.

Top Secret

This is a comic masterpiece that spoofs WWII movies with both affection and visual wit. It focuses on the life of Nick, a handsome American, and a rock and roll singer. He falls in love with Hillary, a beautiful heroine and helps her rescue her father. The film displays a brilliant sense of wit and intelligence. It is worth a watch and a film that remains underappreciated.


This is Spike Lee's angriest, most savagely funny film. It is a media satire about a network's rating success with a show. This is a brave and striking film that speaks a lot about institutional racism and faux-liberal whites. The film has some really great music and superb tap dancing. It is an absolute delight to watch all these elements unfold on screen with such natural subtlety.

Twin Peaks: Fire Walk With Me

This is an eerie fable of incestuous urban horror. It follows a woman who wallows in sadness as she tries to succumb to the pain of holding a deadly, dirty secret. The music in this film is perhaps another character in itself. It creates an air of dread, grief, and terrible magic. This is one of the most powerful, passionate classics out there which is entirely forgotten and deserves to be watched more.

Let's Scare Jessica To Death

This is a creepy and surreal ghost story. It focuses on a woman trying to start a new life in a remote village. She has previously spent time in a sanatorium in an attempt to cure her of her fascination with death. This is a very inventive take on horror films with a mix up that turns into something truly terrifying. It is a very interesting kind of horror movie that is creepy and also deep in its themes and making.

The Low Down

This is a beautiful film that makes you question whether you can be young and carefree forever. In essence, the story is about the usual story - boy meets girl theme. But here, it's in north London and the boy's life undergoes a series of shifts as the relationship develops. The film was not well accepted when it came out, but it is a lovely, poetic film that is brilliant in the way it brings out deep emotions on screen.

A New Leaf

This is an entertaining story of an eccentric millionairess botanist who is trying to deal with the uncomfortable advances of an aging man. The film has a sense of sophisticated humor that focuses on the relationship of this odd couple. It is a film that was not too well received at the time of its release, but it is definitely a classic that deserves a watch for its edge and craft.
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10 Dark Noir Movies Every Film Buff Must Watch

by Kaylen Summers

Noir movies are known for their genre-bending themes and stylish presentation. It is a genre that delights every film lover who looks to explore different kinds of storytelling. Here are some of the darkest noir films you must not miss:

Ace in the Hole The is the story of a reporter who has to run out of New York because of a scandal. Attempting to rebuild his career, he takes up work for a local paper in New Mexico. He then stumbles upon an amateur archaeologist trapped in a cave and successfully turns the rescue operation into a national sensation. This film is incredibly dark and represents the genre at its best.

Criss Cross This film follows a luckless man, hopelessly in love with his femme fatale ex-girlfriend. After tracking her down to Los Angeles, only to discover she has become a gangster’s muse, he masterminds a robbery of the firm where he works just to be near her. When the heist succeeds, he rips off the gang, only to be ripped off by the said gangster. The film is dark and compulsive from beginning to end.  

The Face Behind the Mask This is an edgy film that tells the story of a friendly immigrant watchmaker who is disfigured in a blaze, mere hours after his arrival in New York. He then dons a sinister white mask and turns to organized crime, whilst courting the affections of a beautiful, blind woman. When he attempts to retire from the criminal life, his gang tries to assassinate him, killing his new love in the process. The film has a plot that is doomed from the start, making it dark and devastating. But it is a thrilling kind of darkness which you will enjoy.

I Wake Up Screaming This pulpy murder mystery follows a wisecracking publicist, falsely accused of killing his most recent discovery, a waitress-turned-singer. Together with her sister he searches for the real killer whilst being hounded by a seemingly deranged police detective. The story gets more and more complex with each event and it is a narrative that explores the dark noir genre of its full potential.

Ladies in Retirement A very different Gothic melodrama, this film is very representative of the dark noir genre. It follows a spinster companion to a retired actress in her secluded country home. After the actress’s two mentally-ill sisters arrive for an indefinite stay, their antics upset her, and the plot spirals into a mad frenzy of dark events leading up to the climax. This is a truly intense film that is quite hard to digest, but totally worth it.

Asphalt Jungle This is the story of a heist gone wrong after a stray bullet hits one of the main characters. There is a unique blend of off killer compositions, unconventional camera angles, high-contrast lighting, and creative sound design. The film taps into noir cinema’s overwhelming sense of fatalism and as the film build to its tense, tragic, and darkly comical finale, it emerges as an intense tale of fatal incidents. This is really dark stuff, so be on your watch!

Brighton Rock This is a film with the most terrifying, sociopathic villain in all of noir. It focuses on a violent gang leader, a really innocent girl he marries, and an investigator studying a murder her committed. The film is deep and dark and digs into the layers of crime, intimacy, and thrill. It is a story that is quite upsetting because of how so many things don’t work out. All the chaos ultimately culminates into something really intriguing, and it is worth the time.

One False Move This is a film that offers a picture of regional division and segregation still powerfully evident in America. It sees violence as the common denominator between blue and red states. The story sets off with a mixed-race outlaw, her psycho of a boyfriend, and his sadistic spectacled accomplice murdering six Angelinos to get their hands on a large stash of cocaine. The story spirals from then on and takes many frenzied turns to become what it is in the end. It has its dark moments and they do really get under the skin.


This is a sophisticated film about a woman who is trapped, even before she catches the eye of a psychotic thug who’s also a brilliant businessman. She then gets stuck between two modes of prostitution: literally posing at the department store that pays her practically nothing, or figuratively posing at her captor’s mansion for luxury beyond her imagination. The film explores the politics of sex and how women often are objectified with no redemption. It is a bold film with a deep dark narrative that is definitely worth watching.

While the City Sleeps

This is a dark, cynical film about journalism and its nuanced problems. The film’s killer is a sexually repressed person who feeds his murderous rage through violence. The film also puts focus on a media empire divided by a mogul among three subordinates who war with each other for a top position at the paper. As each journo tries to find the killer, the company loses sight of its civic responsibility. Executives are even willing to dangle their own employees as bait for the killer, and the film is weirdly upsetting at most places, to say the least. What makes it worthy of watching is its brilliant critique of society and depiction of crime.
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10 Must Watch Movies About the Holocaust

by Kaylen Summers

The Holocaust was a dark period in human history when Jews were ruthlessly killed by the Nazis for racial cleansing. Since then, humanity has struggled to understand what happened, how this brutality was organized, endured, and executed. Here are a few films based on the Holocaust that give valuable insight into the experiences of the time:

Schindler’s List

This is Stephen Spielberg’s masterpiece that cannot be avoided in a list of Holocaust movies. It is the story of Schindler, who is part of the Nazi party and a factory owner himself. After being traumatized by the execution of Jews in Poland, he decides to save the Jewish workers in his own factory from Nazi brutality. The film is a shattering account of how people struggled and preserved themselves during those times. It is also a hopeful depiction of the warmth of the human heart, which goes beyond all agendas sometimes.

The Boy in the Striped Pyjamas

This is a heart-warming take on the Holocaust told through the eyes of two little boys. The protagonist, an 8-year-old, is the son of one of the commanders at a concentration camp. He forms a friendship with a Jewish boy from the camp and the two begin a friendship from across the fence. The film is packed with moments of truth and density that move the viewer. We come across scenes which shame us as adults because it shows how much more human kids are, and how much we all must learn from their innocence.

The Pianist

This is the story of a Jewish pianist who struggles to keep himself alive during the Holocaust. Director Roman Polansky delivers a classic film that opens up the brutal realities of a monstrous time in history. He also contrasts it with classical music which makes the film devastatingly beautiful. It is an atmospheric film that is hard to accept owing to its commitment to the truth of the times. The film is to date, one of the most intense on-screen portrayals of the Holocaust. The music though beautiful renders a cathartic feel to the story, which makes it all the more haunting.

Life is Beautiful

This is a warm, hopeful take on the horrible times of the Holocaust. It is the story of a Jewish-Italian bookshop owner who uses books and literature to free his young son’s mind from the cruel thoughts of the Holocaust. The film showcases a very moving bond between the due, which is an attempt to humanize young kids into imagining a world that can be better for everyone. The film, though set against tragedy, has beautiful moments of tenderness which is what makes it a timeless watch. The capability of human beings for kindness against all odds is depicted so relatable in the story that it is bound to make you feel good even though you are watching a film on the Holocaust.

Sophie’s Choice

This is the story of a Polish immigrant who lives in Brooklyn with her boyfriend. She is trying to navigate life but is deeply haunted by her childhood memories of having survived the Holocaust. It is a difficult thing to go through as a child and experiences like this last a lifetime. The story focuses on how she deals with these demons and tries her best to not let them take her present or future away from her. The film is yet another hopeful take on the Holocaust which gives emphasis on the healing capacity of human will.

Divided We Fall

This is a Czechoslovakian film about a couple who live in Nazi occupied Czechoslovakia. They hide a Jewish friend at their place at great personal risk. What follows is a documentation of how humanity is threatened at the hands of the politics of the time. This is a personal story of these three characters through which the Holocaust is depicted and critiqued. It is a very engaging, intense take on how relationships change and grow even in the face of extreme personal loss.

The Diary of Anne Frank

This is the cinematic representation of the disturbing accounts from the diary of a young Jewish girl who was forced to go into hiding during the Holocaust. She and her family hid in an attic to preserve their lives and the film takes us through her observations, emotions, and conflicts during that time. She undergoes traumatic events that children of her age seldom survive. Yet, she shows incredible resilience and uses her diary as a means to make sense of her life. Fear, isolation, and uncertainty all take shape in this story of distress told convincingly from the perspective of a child.

The Pawnbroker

This is the story of a Jewish man who witnesses his family being tortured and killed in a concentration camp. He is left to live a life of hopelessness, despair and absolute guilt of not having done enough to save his loved ones. This is one of the darker films made about the Holocaust. It captures the real horrors that an individual experiences on the face of such extreme tragedy. It also shows us how hard it is to fight our own minds and stay alive.

Europa Europa

This is a story of adventure. It follows a young Jewish boy who escaped execution at the Holocaust by pretending to be an elite German child. The boy figures out the ways in which he can forge his identity and uses it to save himself from the impending horrors of the concentration camp. This is a story of the survival instinct and presence of mind told from the exciting point of view of a child. The film was well received and won a Golden Globe for its depiction of hope, and the power of the human will.

The Reader

This is perhaps one of the most iconic Holocaust films ever made. Kate Winslet plays the lead as a Nazi camp guard who is under trial. A young boy observing the trial learns that she is the older woman he once had an affair with. What follows is the unfolding of a relationship between the two of them where he discovers more layers to her than he had known. She holds a secret which he figures out in the end, and through this relationship, the film reflects on themes of human guilt, fragility, and the erratic ways in which we act when faced with moral conflicts.
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‘Stagecoach’ is on Amazon Prime. But is worth watching?!

by Kaylen Summers

American Cinema and its development owe a lot to the Westerns. Ultra stylized gun fights, morally muddy protagonist and lots of bloody violence- nothing is more nothing more wholesome, subversive, and iconic than a good western movie. However, for movie-history enthusiasts, the equation will not be complete without directors like John Ford and actors like John Wayne. Pioneers in their own ways, these people gave us some of the most memorable Westerns of all time- with Stagecoach still occupying a powerful and significant position in film history. But what makes this cult classic worth seeing after all these years?!. Let's have some whiskey shots and find out.

Academy Awards

Released in the same year as Gone with the WindThe Wizard of OzMr. Smith Goes to WashingtonWuthering Heights, and Of Mice and Men, Stagecoach still managed to score seven Oscar nominations among the heavy competition. It got nominated for best picture, director, editing, art direction, and cinematography. It even bagged the prize for supporting actor (Thomas Mitchell) and music direction.

First Modern Western

Though Westerns were exceedingly popular in the early days of cinema, by the 1930s it fell out of favor. Nobody took them seriously and they ended up us low-budget B-movies. However, John Ford revived the lost status of the genre with Stagecoach. The movie brought realism and new storytelling methods to the genre and was a huge hit. For that, it is considered the first "modern" Western.

Influenced Later Movies

Stagecoach not only revitalized the Western but also became one of the most iconic and influencing movies of all time- for not just Westerns, but other genres as well. An example of this is the one scene in which the stuntman, Yakima Canutt, drops from a horse onto the ground and is dragged under the stagecoach. This scene can be seen imitated in later movies like Raiders of the Lost Ark and Maverick.

An Ensemble Film

Breaking away from the conventional Western movie plot, Stagecoach is an ensemble movie. It has a storyline with clear-cut main characters. The structure movie is much similar to the modern disaster movie. If you replace the threat of an alien invasion or a massive earthquake with the threat of an Indian attack, then you will get the formula for an ensemble movie like Stagecoach.

Officially Got Remade Twice

There are not many movies that get a remake. However, Stagecoach got officially remade twice. In 1966, a version of the movie was made with Ann-Margret as the prostitute, Red Buttons as the booze salesman, Bing Crosby as the doctor, and Alex Cord as Ringo. Later in 1986, a made-for-TV version was released with Willie Nelson, Kris Kristofferson, Johnny Cash, and Waylon Jennings.
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7 Best Musicals Movies On Prime Video

by Kaylen Summers

Musicals are the cinematic versions of broadways. Even though the songs make these movies unrealistic, we have to admit that they make movies more colorful. The musical genre has some of the most vibrant and emotionally transcending movies of them all. We have listed some of the best ones from this genre for you to stream. If you are using the Prime Video services then, you should definitely check out these memorable movies.

Holiday Inn If we are talking about musicals, then it's best to start with Holiday Inn. The movie is one of the classic musical romances of all time. The movie Lila betraying Jim over her dance partner Ted. Heartbroken, Jim moves out of his town and starts the Holiday Inn with Linda. However, Ted reaches the inn and looks to steal away Linda as well.

Funny Face Here is another retro classic musical that is worth seeing. Set in Paris, the movie is about a shy Greenwich Village book clerk who gets discovered by a fashion photographer. She is taken to Paris, where she becomes a reluctant model. This timeless classic has Audrey Hepburn and Fred Astaire in the lead roles.

Chitty Chitty Bang Bang Ian Fleming is famous for creating the character of James Bond. But, did you know that he wrote other famous works too? This musical is an adaptation of one such work. The story is about an eccentric professor who invents the wacky car that is able to fly, sail and what not. However, when a certain evil nation hears about it, they are after the professor's new technology.

De-Lovely They said that the musicals lost its importance over the years and good musicals are long gone. But, the 2004 film De-Lovely became the perfect answer to those doubts. The movie takes about the lives of Cole Porter and his wife, Linda as they made their way from Paris to Hollywood and from Broadway to Musicals.

The Inspector General The Inspector General is a musical comedy about an illiterate stooge who is misunderstood by the town's officials as the inspector general traveling in disguise. The corrupt officials were pocketing all the tax money and they fear that the general will find this out. So they make several attempts to murder him.

The Happiness of the Katakuris Straight from Japan, this movie is sure to change your perspective about musicals. This Japanese adaptation of The Queit Family is a strange combination of music and murder. The story is about the Katakuri family opening a guest house in a remote mountain area. Unfortunately, all their guests start dying one after the other. To save the guest house's reputation, the family hides the bodies in the backyard. But, will that be enough?!

Blue Hawaii Featuring Elvis Presley and Joan Blackman,  Blue Hawaii is about Chad Gates. He has just back to Hawaii from the Army. There is nothing else in his mind, other than his surf-board, his buddies, and his girlfriend. However, his father is planning to make him work in a fruit company.
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6 Must-Watch Classic Movies to Stream on Netflix

by Kaylen Summers

Can any old movies be a classic? There are many people who think so. But in order for a movie to be called classic, it needs to stand the test of time. A classic movie is itself an influential piece of cinema that retains the thrills, wonder, and momentum at any point in time from its release. Netflix a handful of these bonafide films. Some are stark black and white films, while others are beautiful Technicolor extravaganzas. Whatever the case may be, only a few of them are worthy to be called classics. Here are the best classic movies you can find on Netflix now.

Strangers on a Train (1951) 🎭 Drama, Mystery ⌛1h 43m  From the master of cinema Alfred Hitchcock himself, this is a tense and suspenseful adaptation of a novel by Patricia Highsmith. Bruno is a psychotic male. He meets a tennis player named Guy, during the train journey. Soon, it is realized by Bruno that both are looking to kill someone. Then comes the master plan. In order to mislead the cops, they decide to exchange the murders. Will their plan work out?!

West Side Story (1961) 🎭Drama, Crime ⌛2h 33m This famous musical is a retelling of Romeo and Juliet. However, the old setting is replaced by the harsh blacktop of 1950s Manhattan. Lovers Maria and Tony are caught up in the battle between their gangster families. Realizing that the feud will only end in disastrous consequences, Maria sends Tony to put an end to the fight.

Logan's Run (1976) 🎭Action, Adventure ⌛2h 00m Here is some retro sci-fi goodness. In the distant future, people who turn 30 years old are killed. This is done to maintain equilibrium and conserve resources. ( Thanos seems like a super fan of this movie). Michael York was a former exterminator. But when he turns 30, he is on the run to do everything he can to survive past his expiration date.

Poltergeist (1982) 🎭 Fantasy, Horror ⌛2h 00m Ready for a horror classic? A family in suburban California is being haunted by invisible ghosts and monsters. Some of them are playful, while others are downright evil. Penned by Steven Spielberg, this movie has one of the most iconic lines in movie history: "They're heeeere!"

Pretty in Pink (1988) 🎭 Drama, Comedy ⌛1h 36m This Brat Pack rom-com tells the story of an idiosyncratic teenager who is from the wrong side of the tracks. She falls in love with one of her more popular and wealthy classmates. This creates huge dismay among their respective friends. Will the two overcome their obstacles and finally unite?! You have to watch it, to find out.

Heathers (1988) 🎭Drama, Teen ⌛1h 43m This teen drama is an all-time cult classic and must-watch vintage movie. Winona Ryder and Christian Slater star in this pitch-black comedy. They play the role of teenagers who are planning to kill off the Heathers, the mean girls at their high school.
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5 Reasons Why ‘Boyz N The Hood’ Is Still Relevant

by Kaylen Summers

After almost 18 years since its release, Boyz N The Hood is still considered one of the classic films. The movie revealed to the world a side of Los Angeles that no one outside the area knew. Telling the tale of the streets of South Central, Los Angeles, and Compton, this cult classic is about one of America’s most notorious ghettos. Directed by a debuting African-American filmmaker, John Singleton's movie had stars like rapper Ice Cube, Cuba Gooding Jr. and Morris Chestnut. At the time, a movie with such 'no-so-famous' colored actors seems not quite like the recipe for blockbuster success. However, Boyz N The Hood proved the skeptics wrong and went on to become a huge success. Even after all these years, this Oscar-nominated film still feels precious for us. Why we absolutely love this classic?! Here are 5 reasons for you:

1. Ice Cube's Casting

There is no doubt that the actors of Boyz N The Hood has some of their most brilliant performances. However, if it wasn't for Ice Cube's remarkable acting, the movie might have become a little less memorable. With that being said, it was not the same when Ice Cube was the first cast for the movie. The rapper gave a 'bad audition'. But Singleton took a chance and the rest is history.

2. Eat, Sleep, and Sh*t

Boyz N The Hood is filled with so many iconic moments. But, none will be as memorable as the classic phrase, "All you do is eat, sleep, and sh*t". The famous dialogue from Mrs.Baker still remains a favorite pop culture reference for many.

3. Liquor Store Conspiracy Theory

"Why is it that there is a gun shop on almost every corner in this community?". This is this question that Furious Styles asks the old man. It kick-started the very famous liquor store conspiracy theory. Styles' answer to the question is pure gold: "For the same reason that there is a liquor store on almost every corner in the black community. Why? They want us to kill ourselves."

4. Reality Check

Boyz N The Hood is notable for not being afraid to show us the realities of being a Black living in the hood. Ricky’s death scene in the alley is still heartbreaking. Ironically, the movie's depiction is still valid today.

5. Cultural Importance

Boyz N The Hood stands tall as it represents the importance and power of creativity. The movie was literally made against all the Hollywood landscape. It is one of the reasons why this work of art resonates even today.  In 2002, 'Boyz N the Hood became part of the National Film Registry of the Library of Congress'. It is a program established in 1989 to preserve films deemed important for future generations. 
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‘You’ve Got Mail’ is secretly a tragedy. Here is why!

by Emily Keen

You’ve Got Mail is a simple romantic comedy that came out in 1998. Unlike many other films that release in the 90s the film did not gain instant recognition and fan following. But over the years went on to grab a spot on bucket lists of movie buffs and the became the honor of every airplane seat screen. Plus the 90s attire adds an unusual charm to this perky romcom. Be it Kelly’s pixie hair cut or Joe’s bulging blazers. And then we have Joe’s dog who imparts a sense of intimacy to their encounters. Kathleen Kelly and Joe Fox strike up an online friendship not aware of each other in real life. However, their fates do clash in the real world in the least congenial manner. Joe is the owner of a big chain of bookstores and puts Kelly a small bookstore owner out of business. Directed by Nora Ephron, the film explores multiple conditions prevailing in the 90s. Primarily the dial-up internet and its ability to bring complete strangers together.  That is in fact what forms the crux of this poignant tale of love. A match made in AOL and two people waiting to hear the three magical words- You’ve Got Mail’. The story wholeheartedly explores the pros and cons of internet love made sublime by the riveting performances of the actors. Conflicting business interests cause a few sour experiences in the first few meetings between Joe and Kelly. Joe eventually finds out that the girl he has been talking to online and the one he can’t put up within the real world are the same. And somehow he is mesmerized by the two sides of her personality- an adorable friend and a feisty businesswoman. And from there begins his quest to woo and charm the lady. As a literary, he knows every trick of old fashioned love to get the lady to like him back. He sends her flowers, quotes her favorite writers and even bumps into her at the places she visits often. Sounds romantic? It is a proven fact that however modern, a woman cannot escape the charm of old school love. It is timeless and has the power to lead a man straight to her heart. Although this wholesome tale of love effervesces into a tragedy on some level.  Here is why We have another character complicating the matters of the lives of the central characters. Frank is Kathleen’s boyfriend who is mostly consumed in his own world of fiction. Our girl here is caught up amidst the unsettling relationship she shares with her pretentious boyfriend and the man who took usurped her livelihood. Besides being a woman in love, she is also an independent bookstore owner who is passionate about selling books to kids. The film concludes with Joe taking over Kelly’s bookshop leaving her with a small section of Fox book stores which mimics her story hour for children. At the same time, we see a happy ending to a love story that initiated in the virtual world. But a part of you can’t help but question the nature of this conclusion. Doesn’t it tell you that in the end, its capitalism who won? It’s jarring this realization. Once you read the underlying context through the lens of entrepreneurship and monopoly the weight of the film as just a romantic flick somehow withers away. And you are left to wonder if that how a love story is supposed to reach a conclusion. But the irony of the matter is Kathleen the victim of capitalization herself loves Starbucks a chain that disrupted the business of coffee shop owners at large.
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5 Things You Didn’t Know About ‘Gone With The Wind’

by Kaylen Summers

Gone With The Wind is celebrating its 80th birthday this year. Set against the American Civil War, the movie talks about the romance between Scarlett O'Hara and Rhett Butler, who smuggled arms, food, equipment, and luxuries during the war. However, there is more to this story than just romance. Themes like war, courage, cowardice, perfidy, loyalty, wealth, poverty, the pretty, the unpretty, evil and good have all played their equal share in making this movie one of the most memorable movies of Hollywood movie history. Curious to know more about the movie. Here six fascinating things that you never knew about this cult classic.

1. The Academy Awards.

Gone with the wind is know for setting many firsts when it comes to Academy Awards. The movie made Hattie McDaniel the first African-American to be nominated for, and win, an Academy Award. It is the longest-running of all motion pictures to win the prestigious award for Best Picture. The movie is also the first color film to win the Academy Award for Best Picture.

2. Facing The Music

Max Steiner had to compose the music for the movie in only three months. This was really a challenge for him as 1939 was the busiest year of his career. However, the music director made it possible by sometimes working for 20 hours straight. He even took Benzedrine pills to stay awake.

3. The Cast Hated It!

Thought the movie is considered as an all-time hit, most of the cast members hated their characters.  Clark Gable was forced to take his role by making arrangements to divorce his current wife and marry Carole Lombard. Rand Brooks' character as Scarlett's first husband Charles Hamilton felt wimpy for him. Butterfly McQueen didn't like the negative stereotype of her character. Leslie Howard believed that he was too old for the role of Ashley Wilkes.

4. The burning of the Atlanta Depot

The burning of the Atlanta Depot was the first shot to be flamed. In order to film it right, they actually burned many old sets including the ones from The Garden of Allah (1936) and the "Great Wall" set from King Kong (1933). The fire cost the studios over $25,000 and a total of 113 minutes of footage was shot from it.

5. Racism

A lot of racist issues surrounded the movie, even after it was made. One was them was Hattie McDaniel being criticized by some African-Americans for playing in a supposedly racist film. To this, she responded that she would "rather make seven hundred dollars a week playing a maid than seven dollars being one".
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‘Big Fish’ is on Netflix. Here is why you should be watching it

by Kaylen Summers

From Edward Scissorhands to Beetlejuice, Tim Burton has given us some of the most memorable cinema moments. Over the last decade, the master of the macabre has undisputedly created some of the most entertaining movies of all time. However, none will ever be a truly great, emotionally engaging one like the 2003 movie Big Fish. Why?! We had the same doubts. So we did some investigations of our own and fight out why this movie is a must-watch flick. 1. Not That Spooky Tim Burton is known for making spooky movies. However, Big Fish is American Gothic rather than pantomime gothic. It is faded, rural Americana and its dark forests and carnival scenes are washed out in an earthy retro tint rather than hallucinogenic and stylized. Though who has seen many of his previous work will easily understand that this one is genuine and fresh. 2. Emotionally Powerful Rather than being a movie for you to cry out, Big Fish is about a son trying to reconcile his father’s tall tales. These stories were once a source of embarrassment and friction between him and his father. The film's plot itself is set in a way for us to connect with more emotionally than we know. We too, as a kid, used to look up to our fathers as larger-than-life, legendary figures. This emotion is easily resonated with the movie. The relationship between father and son is explored in Big Fish with great insight and conviction. 3. No Usual Cartoonish Rubbish Well, you know how absurd these movies can be. In movies like Big Fish, it's normal to see ordinary people dressed up in the most bizarre, cartoonish way possible. (We are talking about you, Johnny Depp!) However, this flick stands apart by giving some logical space for reality. This nothing over the top. Johnny Depp‘s lip-pursing standoffishness or sideways-glance incomprehension is never once seen. Instead, the movie only provides what is necessary. 4. Return To The Roots It is obvious that Tim Burton is returning to his roots now. From the suburban angst and unease that characterized Edward Scissorhands and Beetlejuice, the director has taken much more subtle movies. This transition is heavily evident in Big Fish. The movie is filled with fantasy flashbacks and led by the charm-bomb Ewan McGregor. More than the spooky stuff, it's about fun. There is everything from stopping a town from upsetting a giant, catching the titular uncatchable fish and joining a circus, learning one thing each month about the girl he has fallen in love with. This movie certainly will have something to leave in your hearts even after you are done watching it.
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Why you should watch ’12 Angry Men’?

by Emily Keen

It's a courtroom scene. The Judge announces to the jury “if there is reasonable doubt in your minds as to the guilt of the accused, a reasonable doubt, then you must bring me a verdict of not guilty. Now however if there is no reasonable doubt, then you must in good conscience find the accused guilty. However, you decide your verdict must be unanimous. In the event that you find the accused guilty, the bench will not entertain a recommendation for mercy. The death sentence is mandatory in this case. You are faced with a grave responsibility. Thank you Gentlemen” That's where it begins. 12 Jurors are assigned the task of reaching a verdict in a case in which a young boy is accused of murdering his father. Image result for 12 angry men gifs Responsibility for humankind means many things. To a few, it is a choice while to others it is inevitable. Between these two perceptions lies a fine line. Which sometimes blurs and outweighs the core beliefs of humanity. The reason is possibly man drifting from his true self owing to experience and evolution. When the 12 men enter, the discussion room, the chaotic setup paces and gives an impression of how unimportant the case is to each one of them. Besides one person, every man in the room is talking about trivial things like how they have to be somewhere once all this is over or how this is their first experience on a Jury.   The film does a marvelous job of keeping things as real as possible. The entire movie is shot in that small meeting hall where the morals of these men are put to test by various factors. It is the sheer intelligence of the makers to introduce a story that is most uncertain when it comes to the end result. Of course, there are only two outcomes. They either come out pleading guilty or not guilty. But it is not the verdict we are worried about. It is the people who are assigned the responsibility of breaking the case down but are simply unwilling to put an effort. But as we said, there is one man! To make them realize that they are dealing with a human life after all.  Davis’ character in the film is incredibly well thought of and brilliantly executed by the amazing Henry Fonda. An intense drama created in one small room takes you through a series of realizations. At one point, the truth about the murder seems irrelevant. It is just 12 normal humans exchanging thoughts and realizing where they stand with their views and beliefs. In the beginning, it is Henry Fonda against the 11. The thoughtful architect wants to give the accused a benefit of the doubt and talk about possibilities. The way Fonda shows his presence of mind even with a few hefty in the room trying to yell and talk him out of his merciful mindset is explicable. As he analyses all the evidence and witnesses, one by one the jury members begin to realize that they may have missed important facts about the case. Now they have the same goal as Davis- Not to rely on biased witnesses and bring out the facts of the mysterious murder. From here the excitement builds on. Image result for 12 angry men gifs Davis is never confident he will be able to change all perspectives in that room. In fact, he is uncertain of the truth more than anyone in that room. At one point he is even left dumbfound when one of the men questions his method of assumptions and asks him what if the boy really killed his father? But he is willing to put himself in the victim’s shoes to understand his plight as a slum dweller. Things like violence are an everyday experience for a boy of his origin. And the fact that he was not able to clearly detail his alibi after looking at his father’s dead body. A brash cobb keeps yelling on top of his voice. At one point he even loses his cool and threatens to kill Davis only to strengthen his argument even further. You will absolutely adore Davis for the dignity and calm that he manages to keep in the most volatile space. Among men who he slowly turns on his side one by one, proposing the most logical possibilities. And in the process, showing them men, that there are more things to them than just themselves. There are no special effects, no dramatic storyline. Just a simple story played out magnificently by these 12 gentlemen. Fonda’s Davis may be the highlight of the story. But the other 11 characters have a fair share of screen time. In the duration of 96 minutes, director Sidney Lumet makes sure you understand the personality of each character. It is rather difficult to captivate an audience without giving them something elegant to stare at. The makers, however, manage to keep interests piqued with the minimal resources they have. Zooming in on characters, close facial shots and the sly background score on occasions where the men are struck with deep realizations amplify the effect. The discussion in that room is built to give the audience, the entire account of the murder. At no point would you feel the need to see how the murder happened. Thanks to the brilliantly scripted conversations you can actually visualize what must have happened at the crime scene. The characters are undergoing uncomfortable experiences in the room like sweating, no fan and most importantly, the arguments. But the plot never suffocates and succumbs to the claustrophobia of a small room. The script is out an out a winner. If you want to witness tension in its most raw form, this is the film you need to watch. It is marvelous how you feel what each of these characters feel. Very rarely do you come across a script that successfully weaves awkward scenes with gawkiness permeating all the way out of the frame. It is also a powerful message about the nature of Justice and the nature of humanity itself. How law sometimes fails to understand the truth and takes wrong decisions. We judge others based on superficial details that we know and have heard of. Almost every time forgetting to realize there could be a flipside to the reality that we see.
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Is ‘The Godfather’ Really Worth Watching?!

by Kaylen Summers

There is no doubt that Francis Ford Coppola’s The Godfather is truly the best gangster movie out there. The extremely well-crafted movie defines the genre and is a touchstone for all movies to have made from the genre. There are many people who consider Goodfellas as the best. But, Godfather occupies a place in movie history that cannot be replaced. However, is this iconic flick really worth watching? We think it and we have some of the key reasons why everyone should watch The Godfather. The Godfather is the romantic portrayal of mob life. Since the movie is based on a novel, the filmmakers had all the freedom to make The Godfather was free to make their lifestyle look glamorous. The Corleones family essentially picturized as the royalty in the criminal underworld. Even though there were occasional scenes like Sonny getting shot dead at a toll booth, most of the movie had their gangsters very glitzy and fabulous. Gangsters were not never this cool until Francis Ford Coppola gave an idealized Hollywood depiction of their lives. The Godfather has brilliant performances. Whether the fiction element is good or not, it did help the movie's actors give some of their greatest performances. Surely, Ray Liotta’s performance as Henry Hill in Goodfellas is truly remarkable. His portrayal of the guy who adores the gangster lifestyle and constantly cheats on his wife is phenomenal and intense. However, let not forget that Al Pacino’s turn as Michael Corleone in The Godfather is more nuanced than any performance in Goodfellas. While Henry yells out what he’s feeling, Michael explains everything in a single facial expression. In addition to that, the subtle performances from supporting players like Marlon Brando, Robert Duvall, James Caan, Talia Shire, John Cazale, and Diane Keaton only adds extra charm to the whole movie. Though Robert De Niro and Joe Pesci's support in Goodfellas is riveting, it can never be compared to the ensemble of The Godfather.
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Here Is why ‘Poetic Justice’ is a cult classic.

by Kaylen Summers

Released in 1993, Poetic Justice was a massive hit. The movie debuted No. 1 at the box office during its opening weekend and grossed over $27 million domestically. It made nearly double its actual production budget of $14 million. Janet Jackson and Tupac Shakur played the lead roles. The movie was a follow-up to director John Singleton's 1991 Oscar-nominated coming-of-age film Boyz n the Hood. It has been more than 25 years since this movie got released. However, there are many things that make this movie a cult classic. Let us examine these unique elements. Here are 4 reasons why Poetic Justice is a cult classic:

The Road Trip

Road trips are known for bringing people together and tearing people apart. Justice, Lucky, Chicago and Iesha's experience in Poetic Justice is also very much the same. The journey takes the four characters through a range of emotions and moments. These experiences helped them alter their lives forever and changing their outlook on life. They discovered new things about themselves. From shooting water pistols at the rest stop to rough arguments, Poetic Justice had everything from the good, bad and ugly of the co-ed road trip. The idea of mixing work with a little bit of pleasure is romanticized to its full charm in this movie.

Poetic Moments

Poetic Justice is mostly what its title promises. There are literally many poetic moments in the movie. Jackson's character is always reciting poems throughout. One of the most notable one among this is "Alone" and "Phenomenal Woman" by famed poet Maya Angelou. (She also make an appearance in the film). These poems serve as the backdrop to some of the film's most moving moments, giving the movie some added character and substance. This also helped introduce a generation to the greatness of Angelou.

Battle of The Sexes

A major repeating theme in Poetic Justice is its viewpoints about relations between men and women. These viewpoints are explored from both sides. The infamous salon scene where Lucky first encounters Justice and her man-eating boss Jessie, and his intense arguments with Justice during their trek to Oakland are few examples of the many instances in Poetic Justice that tackle the conflicts between men and women. The movie also points out that this battle of the sexes is one of the reasons for the disconnect that occurs within the black community.

Tupac's Performance

Tupac Shakur had already proved to audiences that he is a wonderful actor with his performance as Bishop in the 1991 film Juice. Unfortunately, though, he was typecast into roles like thugs or criminals. So Lucky was his ticket out the stereotyping and his brilliant performance as the character proved it right. The character is a law-abiding mailman and caring father. Tupac's performance is a solid testament to his range as an actor.
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Why is ‘Rushmore’ movie everyone’s favorite?

by Kaylen Summers

Crammed with great movie moments, Wes Anderson’s Rushmore is a darkly inspiring comedy. Released in early 1999, the movie still manages to be funny, wistful, smart, dark, poignant, and irreverent without ever being cynical. The main plot of the movie is about an eccentric teenager named Max Fischer and his friendship with rich industrialist Herman Blume and their love in common for elementary school teacher Rosemary Cross.  The movie introduced to the world Wes Anderson's unique brand of whimsical comedy. However, it isn't his feature directorial debut. Earlier in 1996, he released Bottle Rocket, which was his first major Hollywood movie. With Rushmore, Wes Anderson kicked off his collaborations with talented actors like Bill Murray and Jason Schwartzman. Critic and Wes Anderson specialist Matt Zoller-Seitz, says: "There are few perfect movies. This is one of them." How this movie was able to set a strong emotional bond with its audience?! Firstly, it is because of the cast. Bill Murray's take on the self-made millionaire industrialist Herman Bloom is memorable in every sense. He is mean, selfish and bullying. But at the same time, he is also kind, warm and generous with his time and money. His comic timing and slapstick performance are as brilliant as it can get. That's enough right there to know that this is a great film. Let's not forget Jason Schwartzman. He is perfect as the young boy, Max who we simultaneously adore and pity. However, Rushmore is more than just brilliant casting. The movie is about the relationship between Max and Bloom that drives the drama forward. They go from love to hate, and back again. Anyone who watches the movie will easily get hooked with the 15-year-old boy and the 50-year-old man competing for the affection of Ms. Cross. Rushmore is a film of these small, beautifully observed touches. It is slight and silly, and occasionally a little mannered.
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Why ‘Breakfast At Tiffany’s’ Is A Must Watch For Every Woman?

by Emily Keen

She is spunky. She is stylish. She gets what she wants! That’s Holly Golightly for you. The iconic diva from 'Breakfast at Tiffany's will always be cherished for her style and substance. She is what makes the film the classic that will never go out of style. The woman became the fashion dream of the era in her chic wardrobe and elegant neckpieces. Blake Edward’s Breakfast at Tiffany’s is a perfect film for women pursuing their dreams. And Holly is a perfect face of unpretentious womanhood. Well, that’s one thing that has her character engraved in the hearts of men and women generations later. The other quality is her way of life. She believes she is entitled to have anything she sets her heart on. And most importantly in enjoying the process of pursuit. Maybe that’s what makes her so unique. Holly is basically a nineteen-year-old, craving the taste of a luxurious lifestyle. She thinks there are no compromises when it comes to the desires of the heart. She chooses to leave her loved ones and dismisses the norms of society which compels a woman to follow a rulebook. She sets out to see what more life has to offer beyond family and friends. In doing so, she emotionally disconnects with herself and others. The idea of happiness is lost in the midst of standards of society and materialistic desires. No emotions, just a sense of responsibility towards her dear brother whom she wishes to support in life. Not even her pet cat is a beneficiary of receiving the love buried deep under the pile of dreams and expectations. On a moral compass, Holly’s choices and methods seem rather dubious. Yet the character seems so real and relatable. Audrey Hepburn’s portrayal of Holly is phenomenal. Her charisma will blow your mind while her style has you swooning. She wants what she wants but makes some questionable choices in the process. At some point, you just wish there was someone who can tell her that she is worth much more than petty gifts and a few dollars. Besides the story does not try to please the audience either. It is a ride with Holly, who is just being herself and winning hearts with her magical self. At no point does the plot look like it is meant for fan service or to please any of innate human fantasies. It’s just the journey of a girl trying to fit in society. The story too is not a conventional piece of the cinema setting the protagonist on the quest for love or trying to idolize her. She is simply Holly Golightly being herself who needs someone to remind her that all she needs to be in this imposing world is her own self. That is what will get her true love and that’s enough to make her happy. The honesty of the story is what makes you love the film more than anything. It may not be your good ol' entertainment flick. But it is definitely a film that you would love to revisit when you feel vulnerable. For all women facing an existential dilemma, this film is a perfect reminder to be themselves and not who the world wants them to be.
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6 reasons why ‘Casablanca’ remains a unique classic film

by Emily Keen

The greatest love story ever made will forever hold a special place in the hearts of cinema lovers. Casablanca is one unique classic that continues to retain its reputation as an iconic film. For obvious reasons of incredible performances and a magnificent screenplay, the film went on to win three academy awards since release. Although, not the biggest hit during the initial phase of release, Michael Curtiz’s highly acclaimed Hollywood classic is more than just a love story. This monumental thriller is also a journey through the setup of the Second World War and its consequences on normal lives. For those uninitiated, here are six reasons why Casablanca hails as a unique classic film
  1. Rick Blaine
To start with, the variations in character experienced by the Rick Blaine (played by Humphrey Bogart) are rather unconventional. Like most Hollywood heroes, the man cuts a dash. And more importantly, he is the one leading the story through various arcs. But we do not see the world through his point of view. The audience is in fact left to judge the morality of the character through the lens of various other characters. His employees and clientele see him as someone who you cannot easily walk up to for a conversation. He is cold and arrogant. There are times when Blaine comes off quite negative. When the police arrest Signor Ugarte, he says “I stick my neck out for nobody”. His best friend Renault views the man in stark contrast. He thinks of him as an emotional and compassionate being. And that the cold Rick is nothing but a consequence of a failed love story. These traits are obvious in the character on multiple occasions. For instance when he helps a Bulgarian couple flee to America. The conclusion, in fact, is the greatest testimony to his altruism.
  1. Elsa
Elsa is a strong feminine character, torn between her love for Rick and the respect she has for her husband, Victor. Stuck at crossroads from where it’s either love or responsibilities Ilsa Ingrid finely portrays a heroine who is in no way trying to do anything heroic. She is just a simple woman making her loveless marriage work as a courtesy to her good-natured husband. In doing so, she won’t hesitate to even point a gun at Rick whom she loves so deeply.
  1. Unconventional narrative
The story is presented to us in a disorderly fashion. For those times this was a rather unconventional method of storytelling. The film begins with a shot of Rick’s café and a narrator explaining the background events. The delightful moments of Elsa and Rick’s life are stacked in between the messy present. Moreover, the ending does not resolve any of the chaos, be it the war or Rick’s love life. The War persists and so does the pain of our protagonist’s heart. The film is also a reminder that justice and freedom come with a price.
  1. Separate plotlines
The story perfectly blends in two different plotlines. The first is the love triangle between Rick, Elsa, and her husband. It is the nobility of Elsa’s husband that adds complexity to the narrative. The second plotline is the war and its consequences on the lives of people staying in Casablanca. More importantly, the film has some powerful underlying beliefs and political messages.
  1. The mysterious town of Casablanca
There is always a mystery surrounding the town of Casablanca. The movie is based in a Moroccan setting but there is hardly any reference to Moroccan way of life. It is simply chaotic and reeks of uncertainty. There is a line where a German commander warns Elsa - “human life is cheap in Casablanca”. And people in and around view the city as a prison from which they desire to escape. However unsafe, the town does has some fantasy attached to it. It is the brilliant vision of the makers that fuels our attraction towards mystery and makes us fall for the idea of a risky life.
  1. The Remarkable Conclusion
The climax of this poignant tale of love will break your heart but in a very positive way. It defies the usual traditions of happy endings or the death of a significant character. But ardent movie fans would not have it any other way. For that is what sets the film apart from others in the league. Besides Rick Blaine’s heartfelt decision at the end is what makes him not just one of the greatest known lovers but also a very noble character. Over the period of its release, Casablanca went on to win three Oscars – Best Picture, Best Adapted Screenplay, and Best Director. The music is still enchanting to the ears. Can you even listen to ‘As Time Goes By’ and not think of the film? There is nothing and absolutely nothing mediocre about this epic tale of romance. Be it the story, the music or even humor. The film shall forever remain a unique classic film in the history of cinema.
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‘The Godfather’ Vs. ‘Goodfellas’. Which Is The Best Mob Movie Ever Made?!

by Kaylen Summers

We all know that Francis Ford Coppola’s The Godfather and Martin Scorsese’s Goodfellas are truly the best gangster movies out there. However, fans of the two iconic flicks often go on debates to find the finest of the two. Undoubtfully both are very excellent movies. Coppola’s The Godfather is adapted from a fictional novel and Scorsese’s Goodfellas is a true-to-life biopic. One follows a traditional timeline and the other is nonlinear with choppy editing. However, these two well-crafted movies define their genre and are touchstones for all mob movies that got made after. For those who are eager to find the best from these movies, here is a comparison of the good, bad and ugly from the two movies.


Since the movie is based on a novel, the filmmakers had all the freedom to make The Godfather was free to make their lifestyle look glamorous. The Corleones family essentially picturized as the royalty in the criminal underworld. Even though there were occasional scenes like Sonny getting shot dead at a toll booth, most of the movie had their gangsters very glitzy and fabulous. Gangsters were never this cool until Francis Ford Coppola gave an idealized Hollywood depiction to them.


One of the major differences between The Godfather and Goodfellas is that one is a work of fiction while the other is more of a realistic portrait. While the former glamorize the gangster lifestyle, the characters of Goodfellas are often shown doing the dirty work. The Corleones family is also shown filthy rich, while the characters of Goodfellas don't make that much money. The movie even ends with one of the mobsters ratting out on all of his friends. He secures his family’s safety in the Witness Protection Program. This itself is a nod to how realistic the movie's storyline is portrayed.


Whether the fiction element is good or not, it did help the movie's actors give some of their greatest performances. Surely, Ray Liotta’s performance as Henry Hill in Goodfellas is truly remarkable. His portrayal of the guy who adores the gangster lifestyle and constantly cheats on his wife is phenomenal and intense. However, let not forget that Al Pacino’s turn as Michael Corleone in The Godfather is more nuanced than any performance in Goodfellas. While Henry yells out what he’s feeling, Michael explains everything in a single facial expression. In addition to that, the subtle performances from supporting players like Marlon Brando, Robert Duvall, James Caan, Talia Shire, John Cazale, and Diane Keaton only adds extra charm to the whole movie. Though Robert De Niro and Joe Pesci's support in Goodfellas is riveting, it can never be compared to the ensemble of The Godfather.


There are many who criticizes The Godfather for being too slow. On the other hand, the pacing in Goodfellas is much quicker. The movie's plot moves at breakneck speed, jumping back and forth along the timeline of the narrative. But, the makers did make sure that we will be getting all the information you need at any given moment. In fact, it is this choppy editing of Goodfellas, that gives it the iconic style. In a way, it throws you right into the story at the deep end.
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How ‘North By Northwest’ pioneered the new breed of action cinema

by Emily Keen

Alfred Hitchcock’s North by Northwest retains its reputation as an inspiring espionage thriller even decades after its release. Contemporary thriller franchises including James Bond, Mission Impossible have unequivocally borrowed the template of this great thriller. But what is that makes this film the pioneer of action cinema? To begin with, no movie buff can ever get enough of the larger than life adventure and glorious set pieces. The film has had a lasting influence on generations of cinema. The glossy backdrop, sensual themes, and high voltage adventures, seen in big franchises like Fast and Furious are all borrowed elements from Hitchcock’s all-encompassing action-adventure. It is said that screenwriter Ernest Leham was tasked with writing a show stopper script to give the fans the best Hitchcock movie of all time. Alfred’s favorite frontman, Cary Grant plays the role of Roger Thornhill an ad exec mistaken for government agent George Caplan. Thornhill is thus forced to make a run from the law and assailants chasing him to death. He is desperate to clear his name of all the charges against him and sets out to find the real Caplan. Except the real Caplan is only a decoy created by the American government to draw the enemy’s attention away from an undercover operation. Alfred considered plot details to be supplementary in his films. ‘MacGuffin’ was a term invented by Angus MacPhail for films but popularized by Hitchcock through his films. It is used to describe a plot device which builds the story but ultimately holds no significance to the audience whatsoever. In the case of North By Northwest, ‘George Caplan’ is the ‘MacGuffin’. The film structure is laid down with a careful arrangement of set pieces to boost the excitement of the story. An interesting fact about North By Northwest, revealed by Hitchcock’s biographer John Russell Taylor was that the film was outlined as an exciting line up of action sequences. A story was later developed to piece all these sequences together. Did you ever think that the action bits of the cinema we consider a decoration to the script could actually be the foundation of the plot? But that is Hitchcock! An expert in multiple genres of suspense including crime drama, murder mysteries, and psycho thrillers, the aficionado had his way of communicating with the audiences through various components in the frame. For instance, smartly fading out voices of a conversation with noises. Just a way to let you know that “Whatever they are saying is not important. Just enjoy the ride” Furthermore, he enjoyed outdoing himself with every film he made. Explains the perfection and originality of his action sequences in every film. In one of his interviews, Hitchcock spoke of the famous crop duster scene in North by Northwest. It rather overthrew the expectations of the audience with the attempt on hero’s life happening in an open field as opposed to usual norms of dark corners of streets and the attackers using a biplane instead of a car. The process of piecing together the action scenes has become a method for thriller foundations since then. And cheat death stunts, cars flying in the air and parachute fisticuffs in franchises like 007 had become the selling point for films in the niche.   Christopher McQuarrie, writer, and director of the two latest MI films admittedly follows Hitchcock and Lehman’s Method to compose his movies. Another factor that adds to the excitement is its elegant protagonists. Cary Grant’s charm in most films makes ladies go weak in their knees. This idea of a suave and witty gentleman was generously replicated for the character of James Bond. It would not be surprising to know that Grant was Ian fleming’s first choice to play Bond in Dr. No. Thornhill’s ability to charm and the handsome grey suit was a direct pick for Sean Connery’s 007. And if you recollect Tom Cruise’s Ethan Hunt, the man depends entirely on his own instincts and wits to survive. The idea of a protagonist who knows exactly what to say to turn a situation in his favor rules franchises like MI and 007. The larger than life experiences weaved by Alfred Hitchcock in North by Northwest kick-started a regime of stylish spies and action heroes. The idea was absorbed and further modified by Bond films. The globetrotting bits from Vin Diesel’s Fast and Furious and Keanu Reeves’ John Wick films also originate from this very Hitchcock romp. Sophisticated themes and sense of humor prevails in action adventures of the modern era. Audiences fancy the characters for the thrill they bring with their near-death experiences and still manage to keep it attractive. No wonder North by Northwest has an enduring effect on cinemas to date.
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Why is ‘It Happened One Night’ a Classic Worth Watching?

by Kaylen Summers

It was on Feb. 22, 1934, Frank Capra's classic road trip film It Happened One Night got released into theaters. The movie was an instant hit and won 5 awards at the 7th Academy Awards, which included the best actor for Clark Gable and actress for Claudette Colbert. Though the iconic movie is running for more than a good two hours, its excellence is that there is not even one dull moment in it. During the post-production, some of it was left on the editing floor, but it is too good throughout that the audiences won't mind having some extra footage kept in. The main reason for this is that It Happened One Night has a charming, coherent and believable plot. The characters are also lovely and human that you will instantly connect with them and events they go through. The movie belongs to an offshoot genre of comedy known as screwball comedy. In many ways similar to the romantic comedy, this sub-genre slowly vanished in the 30s itself. However, It Happened One Night still remains as one of the best screwball comedies and also as an iconic cult classic. It has everything from being a comedy with a kick, drama with a punch, and the acting and direction served at a new high. The lead roles are played by Clark Gable and Claudette Colbert. Gable plays the role of a newspaperman who helps Colbert escape from her father. The two embark on a hitchhike from Miami to New York. And eventually, they fall for each other. Both Gable and Colbert are seemingly effortless in their acting. It felt as if they were joyfully being utterly natural and devastatingly human throughout the picture. Adding this with the perfect lines did nothing but sparkle. It is as if the makers of the movie made extra sure that not even one single dull line of dialogue was there in the whole thing, and there isn't a character who is not lively. More than its everlasting charm, this gave the film all its life and personality. Other characters in the movie include Walter Connolly who looks splendid as Miss Colbert's father. Roscoe Karns also amuses the audiences as a traveling salesman. Alan Hale's smaller role is also worthy to be mentioned. But the icing on the cake was from none other than the director of this classic flick- Frank Capra. Along with Joseph Walker's cinematography, the two created a marvel on the screen. Whether you are a fan of comedies or not this one is worth seeing. It's got superb acting, riotous comedy, big names, and perfect direction. So what are you waiting for?! Go watch the movie and let us know how much you enjoyed the movie, in the comments below.
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‘The Wizard of Oz’ Is The Most Influential Film of All Time. Here Is The Reason

by Kaylen Summers

A recent study has found that The Wizard of Oz is the most influential film of all time. The study conducted at the University of Turin selected MGM’s 1939 musical ‘masterpiece’ from more than 47,000 films. Based on L.Frank Baum’s 1900 children’s novel ‘The Wonderful Wizard of Oz’, the movie was MGM's biggest production at the time ($3 million). However, the movie turned out to be a failure at the box office initially. It was only with several re-releases that the studio was able to make a healthy financial return from it. How did such a movie end up as the most influential movie of all time?! We also want to find out the answer to that. There are several factors and a variety of combinations that make up the anatomy of a cult film. We will be taking a close look at these elements in The Wizard of Oz.

1. Breaking the Rules

  In order for any art to gain cultural significance, it needs to break the existing rules and produce something better. In the case of cinema, this happens more often, but only a few will pass the test of time to become cult classics. When MGM decided to make The Wizard of Oz, they knew that they were breaking or rather bending some contemporary self-imposed ‘unwritten rules’ of the industry. The production was more of a gamble since it followed the failure of 1933's Paramount production of Alice in Wonderland.  However, what made MGM stand out is the skillful use of Technicolor. And for that, the movie is still considered as an extremely bold and worthy 'rule twister'.

2. The 'Better-Than-Life' Feeling

Cinema has always shaped our reality. It constantly makes us believe that there is something better than life out there. This feeling of leaving the reality behind can be seen even in the most cynical cult movies. When MGM was producing The Wizard of Oz, they made sure that this 'better-than-life' sentiment is provoked in the audience. The makers of the movie deliberately used sepia tones at the beginning of the film and the end, to represent reality. However, in the 'surreal world' they used technicolor (which was a new technology at the time). As a result, we also fell in love with Dorothy Gale's fantasy world.

3. Missing Subplots

Loose ends are mostly considered as lazy writing. But in cult movies, they add an extra charm. The idea that the characters ‘live on’ outside of the finished story itself keeps these movies open for new speculations and theories. The abrupt ending of The Wizard of Oz presents the audience with one such loose ending. Initially, it was planned as Hunk/The Scarecrow (Roy Bolger) leaving for an agricultural college and he would eventually marry Dorothy upon his return. However, this was changed to the ‘Kansas family’ assembling around Dorothy’s bed. Though this change happened as a result of the studio shortening the movie's runtime, it gave the movie its cult appeal.

4. So Bad, It’s Good.

Wait! Are we talking about bad production or the morality of the content?! Unfortunately, The Wizard of Oz has both. Though the movie was made with the biggest budget of that time, it did had many production flaws. The rough ending of the movie is merely the tip of the iceberg. Throughout the film, there are scenes that end a little too abruptly. The Wicked Witch’s instructions to the flying monkeys are cut short almost mid-sentence. This is one of many clunky and disjointed edits in the movie. As for the moral side, we all know how the ‘romance’ between Dorothy and Hunk/the Scarecrow got diminished. What do you think about The Wizard of Oz? Does it deserve to be the most influential film of all time? Let us know in the comments below.
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10 Best Thriller and Suspense Films of All Time

by Emily Keen

We all know that empty feeling when everything in life is normal? It is because, difficult times and tense moments however unwanted, arguably bring a thrill to life. It is in these moments we feel our hearts pounding like it’s racing against time. We feel alive! This is the exact thrill induced by suspense films. But how often do we come across movies that drive you at the edge of the seat or have you jumping with rug pulling twists?  The combination of utterly creepy characters, mind-bending twists and a compelling plot with pace is what makes the best thrillers. But it is definitely another huge task to choose the best thrillers from troves of available cinematic gems. We have narrowed down the list to the 10 movies which remain the best thrillers of all time.
  1. Rear Window (1954)
Ever been so bored you had nothing to do but just randomly build creepy stories in mind? Imagine if that creepy story becomes reality. Scary no? That’s exactly the kind of feeling this film invokes. Rear Window is a masterpiece weaved by the legendary Alfred Hitchcock featuring James Stewart, a photojournalist who is left bound to his apartment due to a broken leg. Since, besides his nurse (Thelma Ritter) and girlfriend (Grace Kelly), the man has no interactions with the world, he resorts to peeping through the windows of the neighbors which leads to unraveling scandalous truths. But what makes this classic even more special is Hitchcock’s art of storytelling and the screenplay that does not involve any action. Just pure humor, suspense souled up by its magnetic cast.  
  1. North by Northwest (1959)
north-by-northwest The master of suspense, Hitchcock strikes yet again! The dashing honcho of sophisticated comedy, Cary Grant is paired up with other usual Hitchcock collaborators James Mason and Eva Marie Saint. Grant’s charm is as usual worth betting all the money on. Grant plays Roger Thornhill who is mistaken for a government agent and hunted by police and assassins. Eva Kendall protects the man and the two develop a tantalizing relationship while hunting for the real government agent. This film is a legacy that inspired numerous thrillers, only a few among which have successfully made an impact. Although not the same as this film.  
  1. Manchurian Candidate (1962)
The-Manchurian-Candidate Based on a volatile plot unraveling secrets of underworld politics, the studio thought it was too risky to produce the film. But with support from John F. Kennedy, John Frankenheimer finally breathed life into a politically charged USSR brainwash thriller. If one wishes to witness the gruesome politics through black and white frames, this iconic film is your go-to. Frank Sinatra plays a U.S. army hero who returns to his homeland from Korea. But the fact that he has been hired by the communists to assassinate a presidential nominee is finally discovered by his buddy who sets on a quest to stop his pal from committing a felony.  
  1. Blood Simple (1984)
blood-simple Written, directed, edited and produced by Ethan and Joel Coen, this is the duo’s breakout movie. The film is a brooding crime classic from the siblings who knew nothing about film sets when they were ready to shoot this dark-humored thriller. Marty(Dan Hedaya) is a bar owner and a ruthless torturer of his wife. Frances McDormand who plays the wife ultimately resorts to cheating with one of the bartenders at Marty’s bar. Marty somehow sniffs the betrayal and hires a detective (Visser) to kill the wife and the lover. Steering moments of pure horror but keeping audiences in the know of everything, in contrast to most thriller this film binds a tale of bleak fatalism which is a recurring theme in most cinemas.  
  1. The Silence of the Lambs (1991)
silence-of-the-lambs This Oscar-winning work of art became the third film in American history to sweep five major awards after It Happened One Night and One Flew over the Cuckoo’s Nest. To date the horror film remains the only scary film to win The Best Picture Oscar. The film concocts a shrewd serial killer psychology thriller brilliantly brought to life by Jodie Foster, Jack Crawford, and Anthony Hopkins. This is one of those rare movies which has the power to keep you coming back for a re-watch even though you know what it entails. Jonathan Demme indeed crafted a gripping plot to pull the audience right inside the story.  
  1. The Usual Suspects (1995)
the-usual-suspects "The greatest trick the Devil ever pulled was convincing the world he didn't exist." The iconic line from this movie by the legendary Kevin Spacey says everything about this blazing cult classic. In his Oscar-winning performance, Spacey plays a mysterious con man and plans a million dollar heist with his partners, the usual suspects in the list of police records. The planned heist fails on cosmic proportions and then comes an offer from the Devil himself. Keyser Soze is a criminal mastermind known to people only through stories of his heinous crimes but not by face. The suspects agree for they have little choice left when it comes to dealing with the mysterious face of violence.  
  1. Se7en (1995)
se7en The ending is blowing the minds of audiences even today. If that is not enough to get you excited about the film, David Fincher’s unparalleled obsession with weaving, edgy dark stories will. Brad Pitt and Morgan Freeman play detectives looking into brutal murders symbolizing seven sins- pride, lust, gluttony, wrath, sloth, greed and envy. A vicious yet epic tale that approaches a twist of stellar proportions at the end. Se7en inspired countless storylines and revolutionized the genre of detective/thriller.  
  1. Memento (2000)
memento Apart from the riveting performances by Guy Pearce and Joe Pantoliano what makes this film so great is Christopher Nolan’s flair of weaving an emotionally charged storyline with equally magnificent twists. The film is a different kind of cinematic experience altogether with reverse storylines and chronological events merge and help you connect with the soul of the character. It gets you curious and more importantly satisfies that curiosity. It reveals the end at the very start defying the fundamental norms of cinematic storytelling. What makes you stick around is just the characters and theme.  
  1. No Country For Old Men (2007)
no-country-for-old-man It’s the ‘once amateur’ siblings again! Imagine if Ethan and Joel Coen can create a masterpiece without knowing things about filmmaking, what could they do with experience? Cormac McCarthy’s novel forms the plot for this thrilling film. No exaggeration intended! It is literally thrilling. It begins with a Vietnamese veteran (Josh Brolin) discovering a huge amount of cash in the wake of a failed drug deal. He flees with the cash and invites being chased by an enigmatic killer. The crisp frames, captivating landscapes, and biblical themes elevate the effect of this ‘almost an action’ feature by the Coen Brothers.  
  1. Prisoners (2013)
prisoners A peculiar touch of David Fincher’s dark and seedy world is the treatment that prevails the backdrop of Denis Villeneuve’s Prisoners. Hugh Jackman plays a father whose 6-year-old daughter is missing and the identity of the kidnapper is the obvious mystery they have to solve. The feature is a slow burn of tension intensified with jaw-dropping twists and turns. Jake Gyllenhaal plays detective Loki who is obsessed with his job and Paul Dano is a suspect who is released due to lack of evidence. The stellar cast along with an emotionally powerful storyline makes this movie an absolute work of art.
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Why ‘The Shining’ is the scariest (and best) horror movie ever made?

by Kaylen Summers

Hollywood horror classics will not be complete with the genre-defying movie The Shinning from the maestro Stanley Kubrick. It may be a cinematic adaptation of the beloved novel by Stephen King, but the movie has dexterously scraped away most of the supernatural horrors from its source material. Yet, it still remains as the most creepy, unnerving, deeply engaging horror movie to have come out from the genre. But, how did this movie- without the typical horror genre elements- managed to remain the finest brilliantly-crafted horror movie of all time. Yes! It is directed by Stanley Kubrick and that explains a lot. But, we are still going to take a deep dive into this cult-classic and see what hidden gems are in-store for us.

Jack Nicholson At His Best

Well, this one is actually obvious. The Shining will never be this spooky and eerie without Jack Nicholson's brilliant performance. We don't need some masked, machete-wielding serial killer to bring in the scares. It only took Nicholson’s depiction of Jack Torrance and his slow descent into madness. His facial expressions and line delivery are enough to create monster scares than any amount of makeup or costume design ever could. But let's not forget the other cast of The Shining who gave terrific performances as well, including Shelley Duvall, Scatman Crothers, and even Danny Lloyd.

Fictional Horrors To Explore Real Horrors

There are two ways in which the horror movie genre generates fear in the minds of audiences. One is by the use of fictional elements like werewolves, zombies, black magic or so. The other is by using real devices like death, violence, torture, etc. However, in The Shining, Kubrick skillfully uses the fictional horrors- like the supernatural ghostly presence in the Overlook Hotel, to explore the underlying real-life horrors of abuse and murder. Perhaps, it is this engaging conflict between these two that makes this movie so bone-chilling.

No Cheap Scares

The most wonderful thing to learn from this Kubrik masterpiece is that every scene in the movie needs to be there. There are no out-of-place cliched scenes. Not even a second of the long two and a half hours is wasted with some gruesome horror movie element. Horror classics like Halloween and Rosemary’s Baby maybe some of the best flicks from the genre. But unlike them, The Shining has no fat under its bones. One of the reasons for this might be because the movie was trimmed down in editing to make it more marketable. Whatever the case may be, it ended up as a streamlined horror masterpiece and the genre’s finest.

It's Wide Open To Interpretations

For any filmmaker who is attempting to make a movie from the genre, The Shining serves as a perfect inspiration in every sense. A major reason for this is that it is open to interpretation. However, no matter how much interpretation that we find in this movie, it will still be open for more. For almost 40 years since it was released, The Shining has gone through infinite deconstructions and countless essays and books than any other movie. This Shakespearean element of deciphering meanings has kept us at the edge each time we watch the movie. We still can’t ease into it. We still can't find out the real meaning or end to this incredible cinematic experience. And that makes it a timeless work of art.
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The Dark Knight, 10 Years Later

by Utkarsh Bansal

1931, City Lights. 1941, Citizen Kane. 1957, 12 Angry Men. 1972, The Godfather. 1994, The Shawshank Redemption. 2008, The Dark Knight.

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Every so often, a movie comes out that convinces a large portion of cinephiles that it belongs in the conversation for greatest movie ever made, and sparks a conversation among the rest. Christopher Nolan crafted a masterpiece, in which he was helped by all of his most frequent recurring collaborators. Michael Caine has acted in 7 of his movies, Wally Pfister shot 7, Lee Smith edited 7, Hans Zimmer scored 6 and Nathan Crowley has been the production designer on 7. All of them, plus movie-specific actors Heath Ledger and Aaron Eckhart, did some of the best work of their careers, leading to this work of exceptional technical skill.   But beyond just how well made it is, the movie's longevity has to do with its cultural impact. 2014's Whiplash was impeccably crafted too, but that's not going to inspire the conversations in 2024 that The Dark Knight does now. So what are these conversations? What makes this movie stand out even among other great films of its decade? Here are some opinions.
  1. Kristopher Tapley, for Variety, writes about the impact the movie had on the the Oscars. In 2009, the film missed out on a Best Picture nomination because there were only five nomination slots, and those were reserved for more Oscar-friendly movies like holocaust drama The Reader. That led the Academy to expand to 10 slots, and while we saw some impact of that decision in the next 2 years, with movies like Avatar and Inception competing for the coveted prize, the number of mainstream entertainment blockbuster nominees has diminished since then. That said, we still see movies like Mad Max: Fury Road and Dunkirk recognised every so often, so the impact is certainly felt. [caption id="attachment_1526" align="alignnone" width="800"] CHRISTIAN BALE stars as Batman in Warner Bros. Pictures’ and Legendary Pictures’ action drama “The Dark Knight,” distributed by Warner Bros. Pictures and also starring Michael Caine, Heath Ledger, Gary Oldman, Aaron Eckhart, Maggie Gyllenhaal and Morgan Freeman.
  2. Richard Newby, for The Hollywood Reporter, writes about the lessons studios and filmmakers took from The Dark Knight's success, and how the movie's legacy is tarnished by the fact that these were not the right lessons. It is clear that many other franchises have since tried the approach of rebooting with more realism and grit, and this tactic has been applied often with no regard for whether it suits that specific franchise. While I agree that it's not smart to claim that The Dark Knight was successful simply because it was dark, I do think there are those who have used that approach to great success elsewhere. Newby mentions the Planet of the Apes trilogy as the only good example of this trend, but I'd like to mention that even though Skyfall and Logan are not reboots, they did essentially the same thing to their worlds and characters, and did it well. Both movies would have been very different if they did not live in a post-Dark Knight world.
  3. Alan Zilberman, for The Washington Post, writes about the influence the Joker has had on toxic elements of movie fandom, specifically arguing that modern online trolling might have its roots in people who found something admirable in the villain and emulated his quest for chaos. The most interesting point he raises is the trolls' desire to see people get angry, to the point where they often even say things they don't believe, simply to infuriate. Movies like The Dark Knight, Fight Club and The Wolf of Wall Street always run the risk of making the "bad" persona so charming and alluring that people can't resist the temptation to emulate it.
There are many more thinkpieces, some with the same talking points as these, others dissecting the greatness of Heath Ledger's performance or why no superhero movie since has been able to live up. Still others are discussing the way the movie addressed post-9/11 concerns about the war on terror and how the movie's politics hold up today. And 10 years later, there will be many more articles. Whether you think the The Dark Knight has had a positive impact on cinema or negative, one thing is undeniable: we as a culture won't stop talking about it anytime soon.
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The dark heroism in Taxi Driver, Fight Club and Mr.Robot

by Mishika Goel

The gradual decline of society, unhinged moral compasses, sleazy reality. One man against the rest of the world. Loneliness, the silent killer. Martin Scorsese’s Taxi Driver paints a world that is sadly not strange to us. We, like the New York taxi cabs, are trying to find our place, our destination amidst the chaotic reality. Or maybe some of us are like Travis Bickle, the anti heroes in our own stories, trying to recover from our loneliness while losing our minds in the process, believing we can save the world, fix broken lives while letting our own get shattered soundlessly. Related image Travis, like Tyler Durden from Fight Club or Elliott Alderson from Mr.Robot is glum with the way things are, media and celebrities making us want to buy things we don’t need, the government and corporations making us pawns in their game of chess, social media advertising us as a product in the market, all of these things destructing our purpose of existence, and making us give in to the bureaucracy. These anti heroes are drowning in their own forlorn world, convinced that they are destined to change the system. Maybe it’s just the loneliness driving them to prove themselves to the world, to make others acknowledge their existence. The end sequence in Taxi Driver, where Travis is shown being celebrated as a hero, being finally appreciated is a testimony to that fact. Had he succeeded in his attempt to assassinate Palantine, the media would have presented him as a deranged anti-national. After all, the media shows us what it wants us to believe. It sells, we buy. Consumerism is literally consuming us, every hour of every day, trapping us into a chasm while we go on believing that it’s the best for us.

 “What is it about society that disappoints you so much? “ “Oh I don’t know, is it that we collectively thought Steve Jobs was a great man even when we knew he  made billions off the backs of children?  Or maybe it’s just that it feels like all our heroes are counterfeit; the world itself’s just one big hoax. Or is it that we voted for this?”  (From Mr.Robot)

Maybe people like Travis get so sick of the world; they start living in a fugue state, like Tyler and Elliott. They detach from reality, thinking that they can change the reality. Ironic, isn’t it?

Travis is aware of the fact that he’s lonely, much like Tyler, who finds his escape in a fight club by venting out his anger and gaining a sense of purpose, or like Elliott, who is just one among the thousands of employees at E Corp, being choked by bureaucracy and political games. “You talking to me? Then who the hell else are you talking to?    You talking to me? Well I’m the only one here.”     (Travis says this as he looks into a mirror)

This scene implies just how lonely he is. It makes us feel sorry for him, but there’s a strange sense of fear too, as we see him descend into madness. Image result for taxi driver you talking These complicated characters represent our deteriorating society. They don’t realize the magnitude of their actions, the impending consequences. What is it that drives them to go for it anyway? Is it just sheer will to revive the morality? Is it because they believe they will only be accepted and appreciated in the society they create? Or is it just because they are lonely and need a change not only in the society but also in their own lives? These vigilantes’ desire to bring a change does connect to us indeed. We realise that we are living in a similar society, the walls are crashing down and there’s a need for a radical change. But unlike them, maybe we are too afraid of losing our control over the Elliot within us and giving way to Mr.Robot instead. These stories appeal to us not only because we connect to them, but also because these characters do what we aren’t able to, putting on the anti hero mask and bringing down the society, even if it ends up changing their own nature.
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